Myslivecek: Complete Wind Octets & Quintets

Album Description

Immerse yourself in the enchanting world of Josef Mysliveček's chamber music with this comprehensive collection of his complete wind octets and quintets. Released in 2010, this album showcases the brilliance of Mysliveček, a composer often overshadowed by his contemporaries but whose works are equally deserving of acclaim. The album features a rich tapestry of compositions, including the elegant Octet No. 1 in E-Flat Major and the spirited Quintet No. 4 in B Major, each piece meticulously crafted to highlight the unique timbres of wind instruments.

Spanning over an hour and five minutes, this album is a testament to Mysliveček's mastery of form and expression. From the majestic opening of Octet No. 1 to the lively finale of Octet No. 3, the compositions are a delightful blend of classical elegance and vibrant energy. The album is a treasure trove for classical music enthusiasts, offering a deep dive into the lesser-known but equally captivating works of Josef Mysliveček. Whether you are a seasoned classical aficionado or a curious newcomer, this collection promises a rewarding listening experience.

24 mei 2010

2010 CPO

2010 (P) CPO

About Josef Mysliveček

Josef Mysliveček, born in Prague in 1737, was a pioneering Czech composer who left an indelible mark on the classical music scene of the late 18th century. Known affectionately as "Il Divino Boemo" (The Divine Bohemian), Mysliveček's operatic works, including "Triumf Klélie," "Bellerofontés," and "Antigona," captivated audiences across Italy, where he spent much of his career. His musical prowess and innovative style made him a leading figure in the transition from the Baroque to the Classical era. Mysliveček's friendship with Wolfgang Amadeus Mozart added another layer of intrigue to his legacy, as the two composers influenced each other's work. Despite his initial success and the acclaim he received, Mysliveček's later years were marked by financial struggles and health issues, culminating in his untimely death in Rome in 1781. His compositions, though less frequently performed today, continue to resonate with their timeless beauty and technical brilliance, offering a glimpse into the rich tapestry of 18th-century music.