Mysliveček: Il divino boemo

Album Description

Immerse yourself in the enchanting world of 18th-century classical music with "Mysliveček: Il divino boemo," a captivating album featuring the works of Josef Mysliveček, a composer often hailed as 'Il divino Boemo' by his contemporaries. This collection, released on February 20, 2013, under the SUPRAPHON a.s. label, showcases Mysliveček's mastery of melody and his deep connection to Italian musical techniques, despite his Czech origins.

The album spans a variety of genres within the classical realm, offering a rich tapestry of compositions that highlight Mysliveček's versatility and genius. From the lively and spirited movements of his Concerto in B-Flat Major to the elegant and refined Wind Octet No. 3, each piece is a testament to his inexhaustible melodic invention. The inclusion of the Aria "Quod est in igne calor" in D Major adds a touch of vocal elegance, while the Symphony in C Major demonstrates his prowess in orchestral composition.

With a total duration of 37 minutes, this album is a concise yet powerful exploration of Mysliveček's musical legacy. Whether you are a seasoned classical enthusiast or a newcomer to the genre, "Mysliveček: Il divino boemo" promises an enriching and enjoyable listening experience.

20 februari 2013

Supraphon A.s.

About Josef Mysliveček

Josef Mysliveček, born in Prague in 1737, was a pioneering Czech composer who left an indelible mark on the classical music scene of the late 18th century. Known affectionately as "Il Divino Boemo" (The Divine Bohemian), Mysliveček's operatic works, including "Triumf Klélie," "Bellerofontés," and "Antigona," captivated audiences across Italy, where he spent much of his career. His musical prowess and innovative style made him a leading figure in the transition from the Baroque to the Classical era. Mysliveček's friendship with Wolfgang Amadeus Mozart added another layer of intrigue to his legacy, as the two composers influenced each other's work. Despite his initial success and the acclaim he received, Mysliveček's later years were marked by financial struggles and health issues, culminating in his untimely death in Rome in 1781. His compositions, though less frequently performed today, continue to resonate with their timeless beauty and technical brilliance, offering a glimpse into the rich tapestry of 18th-century music.