Immerse yourself in the profound and dramatic world of Josef Mysliveček's "Passione Di Nostro Signore Gesu Cristo," a masterful classical composition that brings to life the Passion of Christ through a rich tapestry of recitatives, arias, and choruses. Released in 2005 by Capriccio, this album spans an engaging 1 hour and 42 minutes, offering a deep dive into the emotional and spiritual journey of the Easter story.
Mysliveček, a prolific composer of the Classical era, masterfully blends intense recitatives with soaring arias, creating a powerful narrative that is both musically and theologically rich. The album is divided into two parts, each filled with a variety of vocal performances that highlight the talents of the soloists and the chorus. From the hauntingly beautiful arias like "Vorrei dirti il mio dolore" to the dramatic choruses such as "Di qual sangue, o mortale," the album is a testament to Mysliveček's compositional skill and his ability to convey deep emotion through music.
The performances are brought to life by a cast of talented singers, each bringing their unique voice to the characters of Pietro, Maddalena, Giovanni, and Giuseppe. The interplay between these characters, along with the chorus, creates a dynamic and engaging listening experience that is both moving and thought-provoking.
"Passione Di Nostro Signore Gesu Cristo" is not just a retelling of the Passion story; it is a deeply moving musical exploration of faith, suffering, and redemption. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience that is sure to leave a lasting impression.
2005 Capriccio2005 Capriccio
Tracks
La passione di Nostro Signore Gesu Cristo: Part I: Introduction: Largo assaiJosef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Introduction: AllegroJosef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Recitative: Dove son? (Pietro)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Aria: Giacche mi tremi in seno (Pietro)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Recitative: Ma qual dolente stuolo s'appressa a me? (Pietro)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Quanto costa il tuo delitto (Chorus)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Recitative: Maddalena, Giovanni, Giuseppe, amici (Pietro)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Aria: Vorrei dirti il mio dolore (Maddalena)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Recitative: O piu di noi felice Pietro (Giovanni, Giuseppe)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Aria: Torbido mar che freme (Giuseppe)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Recitative: Oh Barbari! (Pietro, Maddalena, Giovanni)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Aria: Come a vista di pene si fiere (Giovanni)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Recitative: E la Madre frattanto in mezzo all'empie squadre (Pietro, Giovanni, Maddalena)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Aria: Potea quel pianto (Maddalena, Chorus)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Racitative: Come inventar potea pena maggior (Pietro, Giuseppe, Giovanni)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Aria: Tu nel duol felice sei (Pietro)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Recitative: Dopo un pegno si grande d'amore e di pieta (Giovanni)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Duetto: Vi sento (Pietro and Maddalena)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part I: Di qual sangue, o mortale (Chorus)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Recitative: Ed insepolto ancora e l'estinto Signor? (Pietro, Giuseppe, Maddalena, Giovanni)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Aria: Ritornera fra voi (Giovanni)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Recitative: Qual terribil vendetta sovrasta a te (Giuseppe)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Aria: All' idea de' tuoi perigli (Giuseppe)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Recitative: Le minace non teme il popolo infedel (Pietro)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Aria: Se la pupilla inferma (Pietro)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Recitative: Pur dovrebbe in tal giorno (Madddalena)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Aria: Dovunque il guardo io giro (Giovanni)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Recitative: Giovanni, anch' io lo so (Maddalena)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Aria: Ai passi erranti dubbio e il sentiero (Maddalena)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Recitative: Non senza guida (Pietro)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Aria: Se a libraris in mezzo all' onde in comincia il fanciulletto (Pietro)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Recitative: Ah, del felice marmo presto risorga! (Maddalena, Giovanni, Giuseppe, Pietro)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
La passione di Nostro Signore Gesu Cristo: Part II: Santa speme (Chorus)Josef Mysliveček, Sophie Kartauser, Jorg Waschinski, Yvonne Berg, Andreas Karasiak, Chorus Musicus Köln, Neue Orchester, Christoph Spering
Josef Mysliveček, born in Prague in 1737, was a pioneering Czech composer who left an indelible mark on the classical music scene of the late 18th century. Known affectionately as "Il Divino Boemo" (The Divine Bohemian), Mysliveček's operatic works, including "Triumf Klélie," "Bellerofontés," and "Antigona," captivated audiences across Italy, where he spent much of his career. His musical prowess and innovative style made him a leading figure in the transition from the Baroque to the Classical era. Mysliveček's friendship with Wolfgang Amadeus Mozart added another layer of intrigue to his legacy, as the two composers influenced each other's work. Despite his initial success and the acclaim he received, Mysliveček's later years were marked by financial struggles and health issues, culminating in his untimely death in Rome in 1781. His compositions, though less frequently performed today, continue to resonate with their timeless beauty and technical brilliance, offering a glimpse into the rich tapestry of 18th-century music.