Mysliveček: Quintetti per archi

Album Description

Immerse yourself in the enchanting world of classical music with Josef Mysliveček's "Mysliveček: Quintetti per archi." Released on January 1, 1995, under the prestigious SUPRAPHON a.s. label, this album is a testament to Mysliveček's mastery of the string quintet form. Comprising six sinfonias, each divided into three movements, the album offers a rich tapestry of musical expression that spans a variety of emotions and moods.

The sinfonias are composed in different keys, each providing a unique sonic landscape. From the lively and spirited Allegro con brio of the second sinfonia to the graceful Andante grazioso of the fifth, Mysliveček's compositions showcase his ability to blend technical virtuosity with profound emotional depth. The album's duration of one hour and one minute ensures a satisfying and immersive listening experience.

Josef Mysliveček, often referred to as the "father of Czech opera," was a prolific composer whose works were highly influential in the classical music scene of the 18th century. His string quintets, in particular, are celebrated for their intricate compositions and rich harmonies. This album is a must for any classical music enthusiast looking to explore the works of one of the most significant composers of his time.

1 januari 1995

Supraphon A.s.

About Josef Mysliveček

Josef Mysliveček, born in Prague in 1737, was a pioneering Czech composer who left an indelible mark on the classical music scene of the late 18th century. Known affectionately as "Il Divino Boemo" (The Divine Bohemian), Mysliveček's operatic works, including "Triumf Klélie," "Bellerofontés," and "Antigona," captivated audiences across Italy, where he spent much of his career. His musical prowess and innovative style made him a leading figure in the transition from the Baroque to the Classical era. Mysliveček's friendship with Wolfgang Amadeus Mozart added another layer of intrigue to his legacy, as the two composers influenced each other's work. Despite his initial success and the acclaim he received, Mysliveček's later years were marked by financial struggles and health issues, culminating in his untimely death in Rome in 1781. His compositions, though less frequently performed today, continue to resonate with their timeless beauty and technical brilliance, offering a glimpse into the rich tapestry of 18th-century music.