Carlo Ipata is a renowned flautist, director, and founder of the Auser Musici ensemble, celebrated internationally for his meticulous research and performances of early music, particularly from the 17th and 18th centuries. His journey began with training at prestigious institutions such as the Banff Center for the Fine Arts, the Royal Conservatory of The Hague, and the Conservatoire national de région of Paris, where he earned an honors diploma in Baroque flute and chamber music.
Ipata's dedication to early-music research has led him to explore and revive the works of composers like Nardini, Gasparini, and Boccherini, among others. He has performed at major festivals across Europe, the USA, Russia, and Israel, earning critical acclaim for his insightful interpretations and innovative projects. Notably, Ipata has directed the Tuscan Musical Treasures Project, collaborating with musicology departments at the University of Cremona and the University of Pisa.
As a recording artist, Carlo Ipata has brought to life significant works such as Handel's "Catone" and Scarlatti's "Gli equivoci nel sembiante," showcasing his ability to breathe new life into historical compositions. His recordings with Auser Musici, including "Neapolitan Flute Concertos" and "Vivaldi: Flute Concertos," have been praised for their liquid tone, secure virtuosity, and the ensemble's transparency and nimbleness. Ipata's work is not just about playing music; it's about taking audiences on a journey through time, offering a fresh perspective on the rich tapestry of early music.
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