No Mo

Album Description

"No Mo," released on January 1, 2001, is a captivating exploration of sound by the pioneering composer and accordionist Pauline Oliveros. This album, consisting of three expansive tracks—"No Mo," "Something Else," and "Bog Road"—spans a total duration of one hour and three minutes, offering a deep dive into the realms of drone, avant-garde, minimalism, ambient, and experimental music. Recorded at the prestigious Mills Tape Music Centre in California and the University of Toronto, "No Mo" showcases Oliveros' mastery of electronic and experimental composition.

Pauline Oliveros, a trailblazer in the world of electronic music, was known for her innovative approaches and her founding role in the Deep Listening Band. Her work on "No Mo" continues her legacy of pushing the boundaries of what music can be, creating a sonic landscape that is both introspective and expansive. The album is a testament to Oliveros' ability to blend various genres into a cohesive and thought-provoking experience. Whether you're a seasoned fan of experimental music or a curious newcomer, "No Mo" offers a unique and enriching listening experience.

1 januari 2001

2001 Pogus

About Pauline Oliveros

Pauline Oliveros, a pioneering American composer and accordionist, stands as a titan in the realms of experimental and electronic music. Born in Houston, Texas, in 1932, Oliveros was a proud lesbian and feminist whose innovative spirit blazed trails through the avant-garde, drone, minimalism, and ambient genres. She was renowned for her groundbreaking mixed-media compositions in the 1960s, seamlessly blending diverse musical elements and technologies. Oliveros was not just a composer but also a lecturer, theorist, and writer, leaving an indelible mark with her influential 1984 text "Software for People." Her deep listening practice, designed to enhance performers' responsiveness to their environment, further cemented her legacy as a visionary in the music world. Oliveros's journey was one of continuous evolution, making her a true icon in the development of post-war experimental and electronic art music.