No Time Left

Album Description

Released on the last day of 1979, "No Time Left" is a seminal work by saxophonist Chico Freeman, marking a significant milestone in his illustrious career. This album, featuring the Chico Freeman Quartet, is a compelling exploration of free jazz, showcasing Freeman's mastery of the genre. The record, released under the Black Saint label, is a testament to Freeman's innovative spirit and his ability to push the boundaries of traditional jazz.

"No Time Left" is a concise yet powerful collection, spanning just 35 minutes across three tracks: "No Time Left," "Uhmla," and "Circle." Each piece is a testament to the quartet's cohesion and individual virtuosity. The album opens with the title track, setting the tone with its intricate melodies and dynamic rhythms. "Uhmla" follows, offering a more introspective mood, while "Circle" brings the album to a close with a sense of resolution and completion.

The quartet, featuring Jay Hoggard on vibraphone, Rick Rozie on bass, and Famoudou Don Moye on drums, provides a rich tapestry of sound that complements Freeman's saxophone beautifully. The interplay between the instruments is seamless, creating a cohesive sound that is both complex and accessible.

For fans of free jazz and those looking to explore the genre, "No Time Left" is an essential addition to any collection. The album's historical significance, coupled with its artistic merit, makes it a standout release in Chico Freeman's discography. Whether you're a longtime admirer of Freeman's work or a newcomer to his music, "No Time Left" offers a captivating listening experience that highlights the best of free jazz.

31 december 1979

1979 Kepach Music S.r.l.

About Chico Freeman

Chico Freeman, the son of renowned saxophonist Von Freeman, is a distinguished figure in the world of modern jazz, known for his mastery of both the tenor saxophone and trumpet. Born and raised in Chicago, Freeman's musical journey began in the vibrant jazz scenes of the 1950s and 60s, where he honed his skills as a reed player. His debut as a lead musician came in 1976 with the album "Morning Prayer," marking the start of a prolific career. Freeman's work has been critically acclaimed, earning him the New York Jazz Award in 1979 and the prestigious Stereo Review Record of the Year in 1981 for his album "The Outside Within." Throughout his career, Freeman has been celebrated for his ability to blend youthful energy with seasoned expertise, creating a unique and captivating sound. His discography, which includes standout albums like "Music From The Source" and "Sweet Explosion," showcases his versatility and innovation, making him a key figure in the jazz genre.