Not Two, Not One

Album Description

"Not Two, Not One" is a captivating album by the legendary Paul Bley, reuniting with his iconic rhythm section from the 1960s, Gary Peacock on bass and Paul Motian on drums. Released in 1999, this ECM Records gem is a testament to the enduring power of this trio's unique chemistry, thirty-five years after their initial collaboration. The album is a masterclass in free jazz, cool jazz, and avant-garde, showcasing the trio's impeccable timing and telepathic interplay.

The album features ten tracks, including the three-part suite "Not Zero" and the standout pieces "Don't You Know" and "Dialogue Amour." Paul Bley's piano work is as innovative and expressive as ever, while Peacock and Motian provide a rhythmic foundation that is both subtle and dynamic. The album's title reflects the trio's unique approach to improvisation, where individual voices blend and separate in a constant state of flux.

Recorded during a tour following the release of their studio album of the same name, "Not Two, Not One" captures the trio in top form, playing with the confidence and spontaneity that comes from years of shared experience. The album's 62-minute runtime is filled with moments of profound beauty and intensity, making it a essential addition to any jazz fan's collection. Whether you're a longtime fan of Paul Bley or a newcomer to his music, "Not Two, Not One" is an album that demands your attention and rewards repeated listening.

12 februari 1999

℗ 1999 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

About Paul Bley

Paul Bley, a pioneering Canadian jazz pianist, left an indelible mark on the music world with his deeply original and aggressive approach to free jazz. Born in Montreal in 1932, Bley's career spanned over six decades, during which he collaborated with some of the most influential musicians of the 20th century, including Charlie Parker, Ornette Coleman, and Sonny Rollins. His innovative work with synthesizers in the 1960s further cemented his status as a forward-thinking artist. Bley's discography is a testament to his prolific output and enduring influence, from his early recordings in the 1950s to his solo piano works in the 2000s. His music, characterized by its spacious, restrained lyricism, continues to inspire and challenge listeners, making him one of the greatest pianists in the history of jazz.