"Nothing to Declare" is a captivating solo album by the legendary pianist Paul Bley, released in 2004 on the Justin Time Records label. This album showcases Bley's mastery of the piano and his deep roots in the jazz tradition, while also highlighting his innovative approach to free jazz. Recorded in 2003, the album features four original compositions that span a total of 56 minutes, offering a rich and immersive listening experience.
The album opens with the title track, "Nothing to Declare," a nearly 19-minute exploration of melody and improvisation that sets the tone for the rest of the record. "Breakdown" follows, a 15-minute piece that showcases Bley's ability to build tension and release it in waves of virtuosic playing. "Blues Waltz" is a standout track, with a catchy melody and a waltz-like rhythm that belies its complex structure. The album closes with "8th Avenue," a shorter but no less impressive piece that brings the record to a satisfying conclusion.
Throughout the album, Bley's playing is characterized by a sense of spontaneity and freedom, as he improvises his way through each composition. Yet, despite the album's free jazz leanings, there is a clear sense of structure and coherence to the music, with each piece feeling like a complete and satisfying whole. Whether you're a longtime fan of Paul Bley or a newcomer to his music, "Nothing to Declare" is sure to impress with its skillful playing and innovative approach to jazz.
Paul Bley, a pioneering Canadian jazz pianist, left an indelible mark on the music world with his deeply original and aggressive approach to free jazz. Born in Montreal in 1932, Bley's career spanned over six decades, during which he collaborated with some of the most influential musicians of the 20th century, including Charlie Parker, Ornette Coleman, and Sonny Rollins. His innovative work with synthesizers in the 1960s further cemented his status as a forward-thinking artist. Bley's discography is a testament to his prolific output and enduring influence, from his early recordings in the 1950s to his solo piano works in the 2000s. His music, characterized by its spacious, restrained lyricism, continues to inspire and challenge listeners, making him one of the greatest pianists in the history of jazz.
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