"Now We May Begin" is a captivating album by the soulful Randy Crawford, released in 1980 under the Rhino/Warner Records label. Produced by the legendary The Crusaders, this album is a testament to Crawford's powerful vocals and the timeless appeal of R&B and jazz fusion. With a runtime of 37 minutes, it's a concise yet impactful collection of eight tracks that showcase Crawford's range and artistry.
The album kicks off with the infectious "Last Night at Danceland," a track that became a hit and remains a fan favorite. Other standout tracks include the poignant "Tender Falls the Rain" and the introspective "My Heart Is Not as Young as It Used to Be." The title track, "Now We May Begin," sets the tone for an album that is both reflective and vibrant. The album also features a soulful rendition of the classic "One Day I'll Fly Away," adding a touch of elegance and depth to the collection.
Crawford's velvety voice shines throughout, delivering a performance that is both powerful and nuanced. The instrumentation is rich and dynamic, blending elements of jazz, R&B, and pop to create a sound that is both timeless and contemporary. Whether you're a longtime fan of Randy Crawford or a newcomer to her music, "Now We May Begin" is an album that promises to captivate and inspire.
Randy Crawford, born Veronica Crawford in Georgia in 1952, is a retired American jazz and R&B singer who has left an indelible mark on the music scene, particularly in Europe. Her distinctive, recognizable voice has graced numerous stages and studios, collaborating with legends like Quincy Jones, George Benson, and Eric Clapton. Crawford's career highlights include five top-20 hits in the UK, with her 1980 hit "One Day I'll Fly Away" reaching number two. Despite her American roots, she was honored as Best British Female Solo Artist at the 1982 Brit Awards, a testament to her popularity across the pond. Her discography spans various genres, from jazz and R&B to disco and smooth jazz, showcasing her versatility and enduring appeal. Crawford's music is not just about the notes; it's about the stories and emotions she weaves into every performance, making her a beloved figure in the world of music.
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