Immerse yourself in the rich tapestry of medieval choral music with Johannes Ockeghem's "Ockeghem-Missa Sine Nomine/Quinti Toni." Released in 1994 under the Lyrichord Early Music Series, this album is a testament to Ockeghem's mastery of the cyclic mass form, a hallmark of Renaissance polyphony. The album features two complete masses, "Missa Sine Nomine" and "Missa Quinti Toni," each meticulously crafted and performed with a purity of tone and precision that brings the 15th-century compositions to life.
The "Missa Sine Nomine," known for its intricate polyphony and modal harmony, is a cornerstone of Ockeghem's oeuvre. The "Missa Quinti Toni," on the other hand, showcases the composer's innovative use of the Phrygian mode, with the Kyrie and Agnus Dei presented in the Mixolydian mode for a captivating contrast. The album's duration of one hour offers a substantial exploration of Ockeghem's sacred music, providing a comprehensive listen for both scholars and enthusiasts of early music.
Performed by the esteemed Schola Discantus, the album benefits from their renowned expertise in medieval and Renaissance choral works. Their nuanced interpretations and impeccable vocal blend make this recording a standout in the discography of Ockeghem's works. Whether you're a seasoned fan of early music or a newcomer eager to explore the depths of medieval choral tradition, this album is a compelling introduction to the genius of Johannes Ockeghem.
Vinylscout