Officium Tenebrarum

Album Description

"Officium Tenebrarum" is a captivating journey into the sacred and somber world of medieval choral music, presented by the renowned composer Pierre de la Rue. This album, released in 1977 under the Celestial Harmonies label, is a meticulously crafted collection of Gregorian chants and polyphonic compositions, designed to evoke the solemnity and introspection of the Night Office for Holy Saturday.

The album's 39-minute duration is filled with profound antiphons, psalms, and responsories, each piece a testament to the rich musical heritage of the medieval era. The tracklist includes notable works such as "Antiphon: In pace," "Psalm 4: Cum invocarem," and "Resp.: Sicut ovis," among others, showcasing the intricate harmonies and contemplative melodies that define this genre.

"Officium Tenebrarum" features the exceptional talents of Pierre de la Rue, along with contributions from Johannes Gardano and Bernhard Ycart, whose compositions add depth and variety to the album. The Students' Choir Utrecht lends their voices to this sacred music, delivering a performance that is both reverent and stirring.

This album is a rare opportunity to experience the spiritual and musical traditions of the medieval period, offering a glimpse into the sacred rituals and devotional practices of the past. Whether you are a fan of choral music, a student of medieval history, or simply someone seeking a moment of quiet reflection, "Officium Tenebrarum" is a compelling and enriching listen.

1 januari 1977

1977 Celestial Harmonies

About Pierre de la Rue

Pierre de la Rue, born around 1460, was a renowned Franco-Flemish composer and singer of the Renaissance, celebrated for his significant contributions to the polyphonic style that flourished in the Netherlands around 1500. A contemporary of the legendary Josquin des Prez, de la Rue's music was highly prized at the Habsburg-Burgundian court, where he served as the pre-eminent composer under Duke Philip 'the Fair' of Burgundy. His compositions, which include the influential 'Missa pro defunctis' — one of the earliest polyphonic settings of the requiem — showcase his mastery of choral and sacred music. De la Rue's work is a testament to the rich musical heritage of the late fifteenth and early sixteenth centuries, making him a pivotal figure in the history of Renaissance music.