Domine, Labia Mea Aperies / Deus In Adjutorium Meum Intende - Invocaciones InicialesSchola Antiqua, Román García-Miguel Gallego, Benigno A. Rodríguez García, Miguel Ángel Fernández González, Fray Hernando De Talavera, osh (+ 1507)
A/. Regem Triumphatorem + Ps. 94 Invitatorio. Modo V - Invocaciones InicialesSchola Antiqua, Fray Hernando De Talavera, osh (+ 1507), Román García-Miguel Gallego, Miguel Ángel Fernández González, Benigno A. Rodríguez García
Sacris Sollemniis. Himno. Modo V - Invocaciones InicialesSchola Antiqua, Román García-Miguel Gallego, Fray Hernando De Talavera, osh (+ 1507), Benigno A. Rodríguez García, Miguel Ángel Fernández González
Beatus Rex Fernandus + Ps. 111 Antífona. Modo I - In Primo NocturnoSchola Antiqua, Miguel Ángel Fernández González, Fray Hernando De Talavera, osh (+ 1507), Benigno A. Rodríguez García, Román García-Miguel Gallego
Subiecisti, Domine + Ps. 8 Antífona. Modo II - In Primo NocturnoSchola Antiqua, Benigno A. Rodríguez García, Miguel Ángel Fernández González, Fray Hernando De Talavera, osh (+ 1507), Román García-Miguel Gallego
Quoniam Rex Et Regina + Ps. 20 Antífona. Modo III - In Primo NocturnoSchola Antiqua, Fray Hernando De Talavera, osh (+ 1507), Román García-Miguel Gallego, Miguel Ángel Fernández González, Benigno A. Rodríguez García
Benedicamus Patrem. Versículo - In Primo NocturnoSchola Antiqua, Román García-Miguel Gallego, Benigno A. Rodríguez García, Fray Hernando De Talavera, osh (+ 1507), Miguel Ángel Fernández González
Hodie Nobis De Caelo. Responsorio. Modo VIII - In Primo NocturnoSchola Antiqua, Román García-Miguel Gallego, Miguel Ángel Fernández González, Fray Hernando De Talavera, osh (+ 1507), Benigno A. Rodríguez García
Ego Te Tuli. Responsorio. Modo I - In Primo NocturnoSchola Antiqua, Román García-Miguel Gallego, Benigno A. Rodríguez García, Miguel Ángel Fernández González, Fray Hernando De Talavera, osh (+ 1507)
Benedixit Te Dominus. Responsorio. Modo I - In Primo NocturnoSchola Antiqua, Román García-Miguel Gallego, Fray Hernando De Talavera, osh (+ 1507), Benigno A. Rodríguez García, Miguel Ángel Fernández González
Posuit Hodie Dominus + Ps. 45. Antífona. Modo IV - In Secundo NocturnoSchola Antiqua, Fray Hernando De Talavera, osh (+ 1507), Román García-Miguel Gallego, Benigno A. Rodríguez García, Miguel Ángel Fernández González
Cantemus Domino + Ps. 82. Antífona. Modo V - In Secundo NocturnoSchola Antiqua, Fray Hernando De Talavera, osh (+ 1507), Miguel Ángel Fernández González, Benigno A. Rodríguez García, Román García-Miguel Gallego
Laudemus Deum Nostrum + Ps. 93. Antífona. Modo VI - In Secundo NocturnoSchola Antiqua, Benigno A. Rodríguez García, Fray Hernando De Talavera, osh (+ 1507), Miguel Ángel Fernández González, Román García-Miguel Gallego
Exaltare, Domine. Versículo - In Secundo NocturnoSchola Antiqua, Benigno A. Rodríguez García, Fray Hernando De Talavera, osh (+ 1507), Román García-Miguel Gallego, Miguel Ángel Fernández González
Cantemus Domino. Responsorio. Modo II - In Secundo NocturnoSchola Antiqua, Román García-Miguel Gallego, Miguel Ángel Fernández González, Fray Hernando De Talavera, osh (+ 1507), Benigno A. Rodríguez García
Congregati Sunt. Responsorio. Modo I - In Secundo NocturnoSchola Antiqua, Benigno A. Rodríguez García, Miguel Ángel Fernández González, Fray Hernando De Talavera, osh (+ 1507), Román García-Miguel Gallego
Tua Est Potentia. Responsorio. Modo II - In Secundo NocturnoSchola Antiqua, Miguel Ángel Fernández González, Benigno A. Rodríguez García, Fray Hernando De Talavera, osh (+ 1507), Román García-Miguel Gallego
Laetentur Caeli + Ps. 95. Antífona. Modo VII - In Tertio NocturnoSchola Antiqua, Benigno A. Rodríguez García, Miguel Ángel Fernández González, Román García-Miguel Gallego, Fray Hernando De Talavera, osh (+ 1507)
Laetamini In Domino + Ps. 96. Antífona. Modo VIII - In Tertio NocturnoSchola Antiqua, Miguel Ángel Fernández González, Román García-Miguel Gallego, Fray Hernando De Talavera, osh (+ 1507), Benigno A. Rodríguez García
Psallamus Domino + Ps. 97. Antífona. Modo VIII - In Tertio NocturnoSchola Antiqua, Miguel Ángel Fernández González, Fray Hernando De Talavera, osh (+ 1507), Benigno A. Rodríguez García, Román García-Miguel Gallego
Benedicat Nos Deus. Versículo - In Tertio NocturnoSchola Antiqua, Benigno A. Rodríguez García, Miguel Ángel Fernández González, Fray Hernando De Talavera, osh (+ 1507), Román García-Miguel Gallego
Benedicite Deum Caeli. Responsorio. Modo I - In Tertio NocturnoSchola Antiqua, Miguel Ángel Fernández González, Fray Hernando De Talavera, osh (+ 1507), Benigno A. Rodríguez García, Román García-Miguel Gallego
Cantemus Iterum Domino. Responsorio. Modo VIII - In Tertio NocturnoSchola Antiqua, Fray Hernando De Talavera, osh (+ 1507), Benigno A. Rodríguez García, Román García-Miguel Gallego, Miguel Ángel Fernández González
Te Deum Laudamus. Himno. Modo IV - In Tertio NocturnoSchola Antiqua, Román García-Miguel Gallego, Fray Hernando De Talavera, osh (+ 1507), Miguel Ángel Fernández González, Benigno A. Rodríguez García
Benedicamus Domino. Modo I - In Tertio NocturnoSchola Antiqua, Benigno A. Rodríguez García, Miguel Ángel Fernández González, Fray Hernando De Talavera, osh (+ 1507), Román García-Miguel Gallego
Immerse yourself in the sacred and historic sounds of Schola Antiqua's "Oficio De La Toma de Granada. Fray Hernando De Talavera, osh. Oficio De Maitines," a captivating journey through Gregorian chant and medieval music. Released on July 13, 2010, under the Pneuma label, this album is a meticulously crafted collection of 24 tracks, spanning a duration of 1 hour and 11 minutes.
Schola Antiqua, known for their dedication to early music, presents a profound exploration of the Office of Matins, a traditional Christian liturgical service. The album commemorates the historic event of the taking of Granada, with texts attributed to Fray Hernando De Talavera. The chants, sung in Latin, are characterized by their hauntingly beautiful melodies and intricate polyphony, offering a glimpse into the spiritual and musical practices of the medieval era.
The album opens with a series of initial invocations, setting the stage for a deeply spiritual experience. Each nocturn, or section, is marked by antiphons, responsories, and versicles, performed with a sense of reverence and precision. The chant modes, ranging from I to VIII, provide a rich tapestry of sound, showcasing the versatility and depth of Gregorian chant.
Schola Antiqua's rendition of "Oficio De La Toma de Granada" is not just a musical performance but a historical and cultural artifact. The ensemble's commitment to authenticity and their exquisite vocal blend make this album a standout in the realm of early music. Whether you are a seasoned enthusiast of Gregorian chant or a newcomer to medieval music, this album offers a profound and enriching listening experience.