One Year After

Album Description

"One Year After" is a captivating jazz album by the legendary Paul Bley, released in 2002 under Duck Records. This album is a testament to Bley's enduring influence in the world of free jazz, cool jazz, and avant-garde music. With a runtime of 52 minutes, it features nine tracks that showcase Bley's innovative approach to jazz piano.

The album opens with "Blues," a six-minute exploration of the genre that Bley reimagines through his unique lens. "Italian Song" and "Latin Delay" follow, each offering a distinct flavor that highlights Bley's versatility. "Contrast" and "Ojos De Gato" delve into more experimental territories, while "Human Touch" and "Delays" provide moments of introspection. The album concludes with "Fig Foot" and "Blue Black," rounding off a journey through Bley's musical landscape.

"One Year After" is a significant work from a year after the release of "Not Two, Not One," a splendid reunion album featuring Bley's trio with Gary Peacock and Paul Motian. This album is a great addition to any jazz enthusiast's collection, offering a rich tapestry of sounds that reflect Bley's deep musicality and innovative spirit. Whether you're a longtime fan of Paul Bley or a newcomer to his work, "One Year After" promises an engaging and thought-provoking listening experience.

1 januari 2002

2002 Duck Records

About Paul Bley

Paul Bley, a pioneering Canadian jazz pianist, left an indelible mark on the music world with his deeply original and aggressive approach to free jazz. Born in Montreal in 1932, Bley's career spanned over six decades, during which he collaborated with some of the most influential musicians of the 20th century, including Charlie Parker, Ornette Coleman, and Sonny Rollins. His innovative work with synthesizers in the 1960s further cemented his status as a forward-thinking artist. Bley's discography is a testament to his prolific output and enduring influence, from his early recordings in the 1950s to his solo piano works in the 2000s. His music, characterized by its spacious, restrained lyricism, continues to inspire and challenge listeners, making him one of the greatest pianists in the history of jazz.