Immerse yourself in the dramatic and powerful world of Carl Orff's "Antigonae," a monumental work that stands as a testament to the composer's unique vision and mastery of musical storytelling. This two-hour-plus opus, released on March 30, 2010, by Profil, is a gripping adaptation of Friedrich Hölderlin's translation of Sophocles' classic tragedy, brought to life with Orff's distinctive compositional style.
"Antigonae" is divided into five acts, each filled with intense dialogues, choral interludes, and profound reflections that delve into themes of fate, morality, and the human condition. The album features a stellar cast of vocalists and the Symphonieorchester des Bayerischen Rundfunks, conducted by the renowned Wolfgang Sawallisch, ensuring a performance that is both authentic and deeply moving.
Orff's use of percussion and stark, declamatory vocal lines creates a raw and primal atmosphere, echoing the ancient Greek origins of the story. The choral sections, in particular, are breathtaking, showcasing the full range of human expression from solemn reflection to impassioned outcry. The interplay between the characters—Antigonae, Kreon, Ismene, and others—is masterfully orchestrated, drawing the listener into the heart of the drama.
This recording is a vital addition to any classical music collection, offering a rare opportunity to experience one of the 20th century's most innovative and influential composers at the height of his powers. Whether you are a longtime admirer of Carl Orff or a newcomer to his work, "Antigonae" promises an unforgettable journey into the depths of human experience and the enduring power of myth.
2010 Profil2010 Profil
Tracks
Antigonae: Act I: Gemeinsamschwesterliches! o Ismenes Haupt! (Antigonae, Ismene)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: Bedenke, Schwester, wie der Vater, von uns (Ismene, Antigonae)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: InterludeCarl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: O Blick der Sonne, du schonster (Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: Ihr Manner, war's die Stadt allein (Kreon, Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: Mein Konig, diesmal plaudr' ich nicht (Wachter, Kreon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: Zuletzt, als weiter nichts zu forschen war, spricht einer (Wachter)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: Mein Konig, lange rat, es mochte gottlich (Chorus, Kreon, Wachter)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act II: Ungeheuer ist viel (Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act II: Wie Gottes Versuchung aber steht es vor mir (Chorus, Wachter, Kreon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act II: Du also, die zur Erde neigt das Haupt (Kreon, Antigonae, Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act II: Doch weisst Du wohl, dass allzu sprode sprach (Kreon, Antigonae)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act II: Aber jetzt kommt aus dem Tor Ismene (Chorus, Kreon, Ismene, Antigonae)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: Gluckselige solcher Zeit, da man nicht schmecket das Ubel (Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: Bald haben wohl, o Sohn, mehr als die Seher (Kreon, Hamon, Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: Als wie von Gott, himmlisch kommt die Besinnung (Hamon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: Mein Konig, billig ist es, wenn er an der Zeit spricht (Chorus, Kreon, Hamon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: Geist der Liebe, dennoch Sieger (Chorus, Soloist)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: Jetzt aber komm'ich, eben, selber (Chorus, Antigonae)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: O Grab! O Brautbett! (Antigonae, Chorus, Kreon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act IV: O des Landes Thebes vaterliche Stadt (Antigonae)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act IV: Der Leib auch Danaes musste (Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act IV: Ihr Fursten Thebes! miteinander kommen (Tiresias, Kreon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act IV: O Alter! alle, wie auf eines Schutzen Ziel (Kreon, Tiresias)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act IV: Der Mann, mein Konig, ging viel prophezeiend (Chorus, Kreon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: Namensshopfer, der du von den Wassern, welche Kadmos (Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: O ihr des Kadmos Nachbarn und Amphios (Bote, Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: O all ihr Burger! eine Rede merkt' ich (Eurydice)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: Ich liebe Frau, sag' es, als Augenzeuge (Bote)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: Wie nimmst du dies? Die Frau ging wieder weg (Chorus, Bote)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: Io! unsinnige Sinne! (Kreon, Chorus, Bote)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: Weh! Weh! Weh! Weh! Mich beflugelt die Furcht (Kreon, Bote, Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: Um vieles ist das Denken mehr (Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Carl Orff, born in Munich in 1895, was a German composer and music educator whose name is indelibly linked to his monumental cantata "Carmina Burana." This sprawling, dramatic work, composed in the mid-1930s, is a symphonic tour de force for full orchestra, symphony choir, and youth choir, setting to music texts from a 13th-century collection of poems. Orff's innovative approach to composition and his unique rhythmic and melodic language make "Carmina Burana" a thrilling and unforgettable experience.
Beyond his compositional prowess, Orff was a pioneer in music education, developing the Schulwerk, a method that emphasized rhythm, movement, and improvisation, and which has had a lasting impact on children's musical training. His work as an educator began in the 1920s, and his innovative approaches continue to influence music teaching today. Orff's life and work were significantly shaped by the historical context of his time, including the rise of the Third Reich and the Nazi regime's complex relationship with his music. His legacy endures as a composer who not only created powerful, evocative music but also revolutionized the way we think about musical education.