Immerse yourself in the profound and enigmatic world of Carl Orff's final masterpiece, "De Temporum Fine Comoedia." This monumental work, released in 2007 by Deutsche Grammophon, is a testament to Orff's enduring legacy as a composer and music educator. Known for his iconic cantata "Carmina Burana," Orff's last composition offers a unique and captivating experience that spans over an hour, divided into three parts and sixteen tracks.
"De Temporum Fine Comoedia," premiered at the Salzburg Music Festival in 1973, is a choral and orchestral work that delves into themes of time, fate, and the end of days. The album features a rich tapestry of Latin and Greek texts, sung with dramatic intensity and accompanied by Orff's distinctive rhythmic and harmonic language. The composition is a blend of ancient and modern elements, reflecting Orff's deep interest in medieval and Renaissance music, as well as his innovative approach to composition.
The album showcases the powerful vocals of renowned artists, accompanied by a full orchestra, creating a dramatic and immersive soundscape. From the haunting opening track "Heis – Heis – theos estin" to the final contemplative notes of "Con sublima spiritualità," each piece is a journey through Orff's unique musical vision. The work is conducted with precision and passion, bringing out the full depth and complexity of Orff's score.
For fans of Carl Orff and lovers of choral and orchestral music, this album is a essential addition to any collection. It offers a rare opportunity to experience the genius of one of the 20th century's most influential composers in his final and most introspective work.
De temporum fine comoedia, Pt. 1: I. Heis – Heis – theos estinCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 1: II. Opse theu g'aleusi myloiCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 1: III. Pasin, pasin homuCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 1: IV. Choneuso gar hapanta kaiCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 1: V. Vae, vae ibunt, ibuntCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 2: VI. Upote, maepote...Carl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 2: VII. Unus solus deus ab aeternoCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 2: VIII. Nicht Satanas, der WidersacherCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 2: IX. Mundus, terrenusCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 2: X. Wann endet die Zeit?Carl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 2: XI. Gott, schenk uns WahrsagungCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 3: XII. Wi irren wir hin, verloren, verlassenCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 3: XIII. Kyrie, Kyrie, KyrieCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 3: XIV. Angor, timor, horror, terrorCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 3: XV. Omne genus daemoniorumCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 3: XVI. Vae, vae, portae inferiCarl Orff, WDR Rundfunkchor, RIAS Kammerchor, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 3: XVII. Pater peccaviCarl Orff, Peter Schreier, Christa Ludwig, Rolf Boysen, Tölzer Knabenchor, WDR Sinfonieorchester, Herbert von Karajan
De temporum fine comoedia, Pt. 3: XVIII. Con sublima spiritualitàCarl Orff, WDR Sinfonieorchester, Herbert von Karajan
Carl Orff, born in Munich in 1895, was a German composer and music educator whose name is indelibly linked to his monumental cantata "Carmina Burana." This sprawling, dramatic work, composed in the mid-1930s, is a symphonic tour de force for full orchestra, symphony choir, and youth choir, setting to music texts from a 13th-century collection of poems. Orff's innovative approach to composition and his unique rhythmic and melodic language make "Carmina Burana" a thrilling and unforgettable experience.
Beyond his compositional prowess, Orff was a pioneer in music education, developing the Schulwerk, a method that emphasized rhythm, movement, and improvisation, and which has had a lasting impact on children's musical training. His work as an educator began in the 1920s, and his innovative approaches continue to influence music teaching today. Orff's life and work were significantly shaped by the historical context of his time, including the rise of the Third Reich and the Nazi regime's complex relationship with his music. His legacy endures as a composer who not only created powerful, evocative music but also revolutionized the way we think about musical education.
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Carl Orff
