Dive into the rich and captivating world of Carl Orff's "Trionfi," a monumental work that showcases the composer's unique blend of ancient texts and modern musical innovation. Released in 2015, this double album is a testament to Orff's enduring legacy, featuring a diverse range of vocal and instrumental pieces that span various themes and moods.
The album begins with "Fortuna Imperatrix Mundi," a powerful exploration of fate and fortune, followed by "Primo Vere," which celebrates the arrival of spring. "Uf dem anger" offers a lively and rhythmic interlude, while "In Taberna" delves into the darker side of human nature with its tales of excess and despair. The "Cour d'amours" section is a highlight, featuring a series of love songs and duets that showcase Orff's mastery of vocal composition.
"Catulli Carmina" is another standout, a setting of poems by the Roman poet Catullus that blends ancient and modern elements in a way that is uniquely Orff. The album concludes with a series of concerti scenici, or dramatic concertos, that bring the listener into a world of ancient rituals and celebrations.
Performed by the Rundfunk-Sinfonie-Orchester Leipzig under the direction of Herbert Kegel, this recording captures the full power and nuance of Orff's score. The album's duration of over two hours ensures that listeners have ample time to immerse themselves in the rich tapestry of sounds and ideas that Orff presents. Whether you are a longtime fan of Orff's work or a newcomer to his music, "Trionfi" is sure to captivate and inspire.
2014 Brilliant Classics2015 Brilliant Classics
Tracks
Fortuna imperatrix mundi: Fortuna (Chorus)Carl Orff, MDR Leipzig Radio Chorus, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel
Fortuna imperatrix mundi: Fortune plango vulnero (Chorus)Carl Orff, MDR Leipzig Radio Chorus, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel
Primo vere: Veris leta facies (Semi-Chorus)Carl Orff, MDR Leipzig Radio Chorus, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel
Primo vere: Omnia sol temperat (Baritone solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
Primo vere: Ecce gratum (Chorus)Carl Orff, MDR Leipzig Radio Chorus, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel
Uf dem anger: Tanz (Orchestra)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel
Uf dem anger: Floret silva (Chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
Uf dem anger: Chramer, gip die varwe mir (Chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
Uf dem anger: Reie - (Andante poco esitante) - Swaz hie got umbe - Chume, chum geselle min [Semi-Chorus] - Swaz hie got umbe [Chorus]Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
Uf dem anger: Were diu werlt alle min (Chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
In Taberna: Estuans interius (baritone-solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
In taberna: Olim lacus colueram (tenor-solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Horst Hiestermann
In taberna: Ego sum abbas (men's choir)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
In taberna: In taberna quando sumus (men's choir)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
Cour d'amours: Amor volat undique - siqua sine socioCarl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Celestina Casapietra, Dresdner Kapellknaben
Cour d'amours: Dies, nox et omnia (baritone-solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
Cour d'amours: Circa mea pactora (baritone-solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
Cour d'amours: Si puer cum puellula (male semi-chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
Cour d'amours: Veni, veni, venias (Double choir)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus, Dresdner Kapellknaben
Cour d'amours: In trutina (soprano-solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Celestina Casapietra
Cour d'amours: Tempus est iocundum (soprano-solo, baritone-solo, chorus and boys)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus, Celestina Casapietra, Karl-Heinz Stryczek, Dresdner Kapellknaben
Balnziflor et Helena: Ave formosissima (chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
Fortuna imperatrix mundi: O fortuna (chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
Catulli carmina: Praelusio. Eis aiona - In te habitant - O res ridicula - Sublata lucerna (Chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
Actus I: I. Odi et amo - II. Vivamus, mea Lesbia - III. Ille Mi par esse deo videtur - IV. Caeli! - V. Nulli se dicit (Chorus, Tenor, Soprano)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus, Ute Mai, Eberhard Büchner
Actus II: VI. Jucundum mea vita - VII. O mea Lesbia! (Chorus, Soprano, Tenor)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus, Ute Mai, Eberhard Büchner
Actus III: VIII. Odi et amo - IX. Amabo, mea dulcis Ipsitilla - X. Ameana puella defututa - XI. Ah! Miser catulle - XII. Nulla potest mulier (Chorus, Tenor, Soprano)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus, Eberhard Büchner, Ute Mai
Exodium: Eis aiona tui sum!(Chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
Concerto scenico: I. Canto amebeo di vergini e giovani a vespero in attesa della sposa e dello sposo (Catull)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Eberhard Büchner
Concerto scenico: II. Corteo nuziale ed arrivo della sposa e dello sposo (Sappho)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
Concerto scenico: III. Sposa e sposo. I. Za tèlexaman onar Kyprogenaia - II. Espere, Espere panta phereis -III. Katthanen d'imeros tis... - IV. Eis aei (Sappho)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
Concerto scenico: IV. Invocazione dell' Imeneo (Catull)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Eberhard Büchner
Concerto scenico: Inno all' Imeneo. V. Ludi e canti nuziale davanti al talamo (Catull)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Eberhard Büchner
La sposa viene accolta: I. Claustra pandite ianuae -II. Flere desine, non tib', AurunculeiaCarl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Isabella Nawe
La sposa viene condotta alla camera nuziale tollit', o pueri facesCarl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Isabella Nawe
Epitalamo: I. Lam licet venias - II. Ille pulveris Africi (Catull)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Eberhard Büchner
Concerto scenico: VI. Canto di novelli sposi dol talamo (Sappho)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
Concerto scenico: VII. Apparizione di Afrodite (Euripides)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus, Regina Werner
Carl Orff, born in Munich in 1895, was a German composer and music educator whose name is indelibly linked to his monumental cantata "Carmina Burana." This sprawling, dramatic work, composed in the mid-1930s, is a symphonic tour de force for full orchestra, symphony choir, and youth choir, setting to music texts from a 13th-century collection of poems. Orff's innovative approach to composition and his unique rhythmic and melodic language make "Carmina Burana" a thrilling and unforgettable experience.
Beyond his compositional prowess, Orff was a pioneer in music education, developing the Schulwerk, a method that emphasized rhythm, movement, and improvisation, and which has had a lasting impact on children's musical training. His work as an educator began in the 1920s, and his innovative approaches continue to influence music teaching today. Orff's life and work were significantly shaped by the historical context of his time, including the rise of the Third Reich and the Nazi regime's complex relationship with his music. His legacy endures as a composer who not only created powerful, evocative music but also revolutionized the way we think about musical education.