Immerse yourself in the rich tapestry of Othmar Schoeck's vocal and choral works with this captivating album, "Der Postillon, Op. 18 - Lieder und Chorwerke." Released in 1988 by the Swiss label Jecklin, this collection showcases the depth and breadth of Schoeck's compositional genius, spanning a variety of styles and moods. The album features the renowned tenor Ernst Haefliger and baritone Karl Grenacher, accompanied by the Wettinger Kammerorchester and various choirs, delivering a performance that is both technically impressive and deeply moving.
The album opens with the title track, "Der Postillon, Op. 18," a substantial work that sets the tone for the rest of the collection. From there, it weaves through a diverse range of songs, including settings of poems by Goethe, Uhland, Eichendorff, and Mörike, among others. Each piece is a testament to Schoeck's mastery of the German Lied tradition, with melodies that are both evocative and memorable.
Highlights include the tender "Marienlied," the playful "Peregrina," and the nostalgic "Septembermorgen." The album also features several lesser-known works, such as the whimsical "Ein Vöglein singt im Walde" and the haunting "Agnes," providing a comprehensive overview of Schoeck's choral and vocal output.
With a duration of just over 43 minutes, this album is a perfect introduction to Othmar Schoeck's music for those new to his work, as well as a welcome addition to the collections of longtime fans. The performances are impeccable, with Haefliger and Grenacher's voices blending beautifully with the orchestral and choral accompaniment. Whether you're a seasoned classical music enthusiast or a casual listener, this album is sure to captivate and inspire.
Othmar Schoeck, born into an artistic family in Brunnen, Switzerland, in 1886, was a multifaceted musician renowned for his contributions as a composer, conductor, and pianist. Schoeck's musical journey began at the Zürich Conservatory, where he honed his skills before studying briefly with Max Reger in Leipzig. His career, primarily based in Zürich, spanned conducting choral societies and symphony orchestras, as well as composing a vast array of works.
Schoeck is celebrated for his art songs, or Lieder, which number over 300, showcasing his deep lyrical romanticism. His operas and instrumental works, influenced by figures like Busoni, Berg, and Les six, have earned him a place among the significant composers of the 20th century. Despite facing controversy for his collaboration with Nazi Germany, Schoeck's legacy endures, with his works experiencing a resurgence of interest in recent years. His compositions, including the haunting song-cycle "Notturno," offer a rich tapestry of emotional depth and musical innovation, making him a composer worth exploring for both his technical prowess and his enduring musical legacy.
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