Immerse yourself in the rich tapestry of Renaissance polyphony with Giovanni Pierluigi da Palestrina's "Cantica Salomonis." This exquisite collection, released on Naxos, showcases Palestrina's mastery of vocal composition, featuring motets and antiphons drawn from the "Song of Songs." The album spans two discs, offering a generous 2 hours and 7 minutes of captivating choral music.
Composed for 5 to 8 voices, these motets exemplify Palestrina's signature style, characterized by its clarity, balance, and expressive power. The album includes a variety of antiphons and motets from "Canticis Canticorum" (Song of Songs), each piece a testament to Palestrina's ability to evoke profound spiritual and poetic imagery through music.
In addition to the motets, the album features a tractus and a graduale, providing a comprehensive exploration of Palestrina's sacred choral works. The performances are meticulously crafted, with each voice part interweaving to create a harmonious and resonant whole.
"Cantica Salomonis" is a treasure trove for enthusiasts of choral, Gregorian chant, classical, and medieval music. Whether you're a seasoned connoisseur or a curious newcomer, this album offers a profound and enriching listening experience. The intricate vocal arrangements and the timeless beauty of Palestrina's compositions make this a standout addition to any music collection.
2013 Naxos2013 Naxos
Tracks
In odorem - Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis canticorum": No. 1. Osculetur me osculo oris sui: Antiphon: In odorem - Osculetur meGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Trahe me - Trahe me, post te curremusGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
Nigra sum - Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis canticorum": No. 3. Nigra sum, sed formosa: Antiphon: Nigra sum - Nigra sum, sed formosaGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Nolite me considerare quod fusca sim - Vineam meam non custodiviGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Ista est columba mea, perfecta mea - Si ignoras teGiovanni Pierluigi da Palestrina, Florian Durner, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Dum esset rex in accubito suo - Pulchrae sunt genae tuaeGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Fasciculus myrrhae - Fasciculus myrrhaeGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Oleum effusum - Ecce tu pulcher esGiovanni Pierluigi da Palestrina, Laura Smith, Palestrina Ensemble Munich, Venanz Schubert
Antiphon: Tota pulchra es Maria - Tota pulchra esGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Veni de Libano, sponsa mea - Vulnerasti cor meumGiovanni Pierluigi da Palestrina, Ansgar Teichgraber, Palestrina Ensemble Munich, Venanz Schubert
Sicut lilium inter spinas - Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis canticorum": No. 11. Sicut lilium inter spinas: Antiphon: Sicut lilium - Sicut lilium inter spinasGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Fulcite me floribus, stipate me malis - Introduxit me rexGiovanni Pierluigi da Palestrina, Laura Smith, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Laeva eius - Laeva ejusGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Quis est iste, qui venit de Edom? - Vox dilecti meiGiovanni Pierluigi da Palestrina, Laura Smith, Palestrina Ensemble Munich, Venanz Schubert
Antiphon: Jam hiems transiit - Surge, propera, amica meaGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Dilectus meus loquitur mihi - Surge, amica meaGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Ego dilecto - Dilectus meo mihiGiovanni Pierluigi da Palestrina, Laura Smith, Palestrina Ensemble Munich, Venanz Schubert
Antiphon: Quo abiit dilectus tuus? - Surgam et circuibo civitatemGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Quo abiit dilectus tuus? - Adiuro vosGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Dilectus meus candidus et rubicundus - Caput eius aurum optimumGiovanni Pierluigi da Palestrina, Palestrina Ensemble Munich, Sarah M. Newman, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Dilectus meus mihi et ego illi - Dilectus meus descenditGiovanni Pierluigi da Palestrina, Laura Smith, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Pulchra es et decora - Pulchra es, amica meaGiovanni Pierluigi da Palestrina, Ansgar Teichgraber, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Quae est ista quae ascendit sicut aurora - Quae est ista, quae progrediturGiovanni Pierluigi da Palestrina, Florian Durner, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Malos male perdet, et vineam suam - Descendi in hortum nucumGiovanni Pierluigi da Palestrina, Ansgar Teichgraber, Palestrina Ensemble Munich, Venanz Schubert
Antiphon: Quam pulchra es, amica mea - Quam pulchri suntGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Ista est speciosa inter filias Jerusalem - Duo ubera tuaGiovanni Pierluigi da Palestrina, Florian Durner, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Quae est ista speciosa sicut columba - Quam pulchra es et quam decoraGiovanni Pierluigi da Palestrina, Ansgar Teichgraber, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Ego dilecto meo - Guttur tuumGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Argentum et aurum non est mihi - Veni, veni dilecte miGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
Tractus: Adducentur Regi virgines post eamAnonymous, Noe Kains, Palestrina Ensemble Munich, Venanz Schubert
Adducentur Regi virgines post eam (1593): Afferentur Regi virgines post eam (1593)Giovanni Pierluigi da Palestrina, Palestrina Ensemble Munich, Venanz Schubert
Graduale: Audi filia et videAnonymous, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
Quam pulchri sunt gressus tui (1569)Giovanni Pierluigi da Palestrina, Palestrina Ensemble Munich, Venanz Schubert
Giovanni Pierluigi da Palestrina, born circa 1525 in the town of Palestrina near Rome, stands as one of the most influential composers of the late Renaissance period. As the central figure of the Roman School, alongside Orlande de Lassus and Tomás Luis de Victoria, Palestrina's compositions are celebrated for their intricate polyphony and emotional depth. His career began at the young age of 19 when he was appointed as an organist at the cathedral in Palestrina, a role he held until 1551. Throughout his life, Palestrina's work significantly shaped the course of Western classical music, earning him the title of the leading composer of late 16th-century Europe. His choral works, deeply rooted in the traditions of Gregorian chant and medieval music, continue to captivate audiences with their timeless beauty and technical mastery.