Palestrina: Motettorum liber quartus "Canticum canticorum": No, 1, Osculetur me osculo oris sui chapterGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 2, Trahe me, post teGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Motettorum, Liber 4, "Canticum Canticorum": No. 3, Nigra sum, sed formosa, a 5Giovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Motettorum liber quartus "Canticum canticorum": No. 4, Vineam meam non custodiviGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 5, Si ignoras te, o pulchra inter mulieresGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 6, Pulchae sunt genae tuaeGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Motettorum liber quartus "Canticum canticorum": No. 7, Fasciculus myrrhaeGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 8, Ecce tu pulcher es, dilecte miGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Da Palestrina: Canticum Canticorum, No. 9: "Tota pulchra es"Giovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Motettorum liber quartus "Canticum canticorum": No. 10, Vulnerasti cor meumGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 11, Sicut lilium inter spinasGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Motettorum liber quartus "Canticum canticorum": No. 12, Introduxit me rex in cellamGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 13, Laeva ejus sub capite meoGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 14, Vox dilecti meiGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Canticum canticorum (Motets, book 4): Surge propera amica meaGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Canticum canticorum (Motets, book 4): Surge amica meaGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Motettorum liber quartus "Canticum canticorum": No. 17, Dilectus meus mihi et ego illiGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 18, Surgam et circuibo civitatemGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 19, Adjuro vos, filiae HierusalemGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Motettorum liber quartus "Canticum canticorum": No. 20, Caput ejus aurum optimumGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 21, Dilectus meus descendit in hortum meumGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 22, Pulchra es amica meaGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 23, Quae est ista quae progrediturGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Motettorum liber quartus "Canticum canticorum": No. 24, Descendi in hortum meumGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 25, Quam pulchri sunt gressus tuiGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 25, Duo ubera tuaGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 27, Quam pulchra es et quam decoraGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Motettorum liber quartus "Canticum canticorum": No. 28, Guttur tuum sicutGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Canticum Canticorum (Motets, Book 4): No. 29, Veni, veni dilecte miGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 1, Vergine bellaGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 2, Vergine saggiaGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 3, Vergine puraGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 4, Vergine santaGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 5, Vergine solaGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 6, Vergine chiaraGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 7, Vergine quante lagrimeGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 8, Vergine tale è terraGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Immerse yourself in the sacred and ethereal world of Renaissance polyphony with Giovanni Pierluigi da Palestrina's masterful "Canticum Canticorum." This exquisite collection, released under Warner Classics, presents the complete Motettorum liber quartus, a series of motets based on the Song of Songs, also known as the Canticum Canticorum. Composed for the Sistine Chapel, these motets are a testament to Palestrina's unparalleled skill in crafting intricate and harmonious vocal compositions.
The album features the renowned Hilliard Ensemble, conducted by Paul Hillier, who bring their distinctive blend of precision and expressiveness to these timeless pieces. The ensemble's performance captures the essence of Palestrina's music, showcasing the composer's innovative use of counterpoint and his deep understanding of vocal textures.
Spanning over an hour and forty-five minutes, this album offers a comprehensive exploration of Palestrina's sacred choral works. The motets are complemented by a selection of spiritual madrigals from "Il primo libro de madrigali a 5," providing a diverse yet cohesive listening experience. Each track is a delicate tapestry of voices, weaving together in a way that highlights the beauty and complexity of Palestrina's compositions.
"Canticum Canticorum" is not just a collection of songs but a journey through the rich tapestry of Renaissance music. The album's meticulous production and the ensemble's impeccable performance make it a standout in the genre of sacred choral music. Whether you are a seasoned enthusiast of classical music or a newcomer to the genre, this album offers a profound and enriching experience.
Giovanni Pierluigi da Palestrina, born circa 1525 in the town of Palestrina near Rome, stands as one of the most influential composers of the late Renaissance period. As the central figure of the Roman School, alongside Orlande de Lassus and Tomás Luis de Victoria, Palestrina's compositions are celebrated for their intricate polyphony and emotional depth. His career began at the young age of 19 when he was appointed as an organist at the cathedral in Palestrina, a role he held until 1551. Throughout his life, Palestrina's work significantly shaped the course of Western classical music, earning him the title of the leading composer of late 16th-century Europe. His choral works, deeply rooted in the traditions of Gregorian chant and medieval music, continue to captivate audiences with their timeless beauty and technical mastery.
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