Immerse yourself in the rich tapestry of medieval music with "Philippe De Vitry and the Ars Nova," a captivating album that brings to life the groundbreaking works of Philippe de Vitry, a 14th-century French composer and theorist who was a pivotal figure in the musical landscape of his time. This collection, released in 1991 on the Saydisc label, showcases the innovative spirit of the Ars Nova, a movement that marked a significant departure from the established musical conventions of the era.
The album features a stunning array of polyphonic motets, meticulously arranged by John Harre-Jones, and performed with exquisite precision by the renowned Orlando Consort. Each of the 23 tracks is a testament to de Vitry's genius, blending intricate vocal lines with profound theological and literary themes. The motets, many of which are drawn from the early 14th-century manuscript "Le Roman de Fauvel," offer a glimpse into the musical and cultural milieu of the time.
From the hauntingly beautiful "Vos quied admiramini" to the majestic "Adesto Sancta Trinitas," the album spans a diverse range of moods and styles, reflecting the versatility and depth of de Vitry's compositional prowess. The intricate interplay of voices in pieces like "Trahunt in precipicia" and "Tuba sacre fidei" demonstrates the complexity and sophistication of the Ars Nova style, while the lyrical elegance of tracks such as "Douce playsence" and "Garison selon nature" highlights de Vitry's ability to convey profound emotions through music.
With a duration of 59 minutes, this album is a treasure trove of medieval musical artistry, offering both scholars and enthusiasts a rich and rewarding listening experience. Whether you are a seasoned aficionado of early music or a curious newcomer, "Philippe De Vitry and the Ars Nova" promises a journey through the enchanting world of 14th-century polyphony, where the past comes alive in a symphony of sound and spirit.
Philippe de Vitry, a multifaceted French genius of the 14th century, was a composer, music theorist, poet, and even a bishop. Born on October 30, 1291, and passing away on June 9, 1361, his work remains pivotal yet enigmatic in the realm of medieval music. De Vitry's compositions, particularly his polyphonic ars nova motets, are celebrated for their rhythmic, melodic, and harmonic intricacies. His contributions to music theory and poetry further cement his legacy as a key figure in the cultural landscape of his time. With the Orlando Consort bringing his 14th-century music to life, de Vitry's work continues to captivate audiences, offering a glimpse into the rich musical heritage of the medieval era.
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