Philips: Cantiones Sacrae Quinis et Octonibus Vocibus

Album Description

Immerse yourself in the sacred and intricate world of Renaissance polyphony with Peter Philips' "Cantiones Sacrae Quinis et Octonibus Vocibus." Released in 2011 by Naxos, this album is a stunning collection of 21 choral works, originally published in Antwerp in 1612 and 1613. Philips, often regarded as the most famous English composer of his time, presents a masterful display of his craft, with pieces ranging from solemn and reflective to jubilant and celebratory.

Performed by the Sarum Consort under the direction of Andrew Mackay, each track showcases Philips' exceptional ability to weave complex vocal lines into harmonious and expressive tapestries. The album spans a total of 63 minutes, offering a comprehensive exploration of Philips' sacred music, from the penitential "Ne reminiscaris Domine" to the triumphant "Ecce vicit Leo."

This album is a testament to Philips' enduring influence and the timeless beauty of Renaissance choral music. Whether you're a seasoned enthusiast of early music or a newcomer eager to explore the rich traditions of Western sacred music, "Cantiones Sacrae Quinis et Octonibus Vocibus" promises a deeply rewarding listening experience.

6 december 2011

2011 Naxos

About Peter Philips

Peter Philips, born in 1560, was a remarkable English composer, organist, and Catholic priest whose life and work were deeply influenced by religious persecution. Exiled to Flanders in the Spanish Netherlands due to his faith, Philips became one of the most celebrated keyboard virtuosos of his era. His repertoire includes transcriptions and arrangements of Italian motets and madrigals by renowned composers such as Lassus, Palestrina, and Giulio Caccini, adapted for his instruments. Some of his keyboard compositions are preserved in the esteemed Fitzwilliam Virginal Book. Philips' sacred choral works further showcase his musical genius, making him a pivotal yet often overlooked figure in the Elizabethan musical landscape. Despite his significant contributions, Philips remains one of the few first-rate composers of his time who is largely unknown, even among specialists, adding an air of mystery to his enduring legacy.