Immerse yourself in the rich tapestry of Renaissance polyphony with "Pierre de la Rue: Masses," a captivating collection of sacred works by the esteemed Franco-Flemish composer Pierre de la Rue. Released on January 18, 2019, under the Fra Bernardo label, this album spans a generous duration of two hours and seven minutes, offering an extensive exploration of de la Rue's mastery of the mass form.
The album features four complete masses, each a testament to de la Rue's compositional prowess and his significant contributions to the choral repertoire of the late 15th and early 16th centuries. The "Missa pascale à 5," "Missa Ista est speciosa à 5," and "Missa L'homme armé à 4" showcase de la Rue's ability to weave intricate polyphony, while the "Missa pro fidelibus defunctis" provides a somber and reflective counterpoint, often referred to as a requiem mass.
This release is a welcome reissue of a highly acclaimed recording from the late 1990s, meticulously presented by The Sound and the Fury, a renowned vocal quartet celebrated for their precise and expressive performances of early music. The album is a fitting tribute to de la Rue, who, as a younger contemporary of Josquin des Prez, left an indelible mark on the musical landscape of his time.
"Pierre de la Rue: Masses" is not just a collection of historical recordings but a living testament to the enduring beauty of Renaissance music. Whether you are a seasoned enthusiast of medieval and choral music or a newcomer to the genre, this album promises an enriching and enlightening experience. The intricate harmonies and profound spirituality of de la Rue's compositions are brought to life with clarity and reverence, making this a standout addition to any classical music collection.
Pierre de la Rue, born around 1460, was a renowned Franco-Flemish composer and singer of the Renaissance, celebrated for his significant contributions to the polyphonic style that flourished in the Netherlands around 1500. A contemporary of the legendary Josquin des Prez, de la Rue's music was highly prized at the Habsburg-Burgundian court, where he served as the pre-eminent composer under Duke Philip 'the Fair' of Burgundy. His compositions, which include the influential 'Missa pro defunctis' — one of the earliest polyphonic settings of the requiem — showcase his mastery of choral and sacred music. De la Rue's work is a testament to the rich musical heritage of the late fifteenth and early sixteenth centuries, making him a pivotal figure in the history of Renaissance music.
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