Dive into the avant-garde with Paul Jacobs' "Premier festival de l'art d'avant-garde de la Cité radieuse de Marseille, août 1956," a captivating collection of compositions that blend innovation and tradition. Released in 1959 under the BNF Collection label, this album is a testament to Jacobs' versatility and mastery, spanning a diverse range of works from Lieder to variations, songs, and études.
The album opens with five Lieder from Op. 4, showcasing Jacobs' ability to convey deep emotion and narrative through song. These are followed by the intricate and rhythmic Variations for Piano, Op. 27, demonstrating his technical prowess and musical sophistication. The three songs from "Viae inviae," Op. 23, offer a glimpse into Jacobs' ability to blend poetic lyricism with musical expression.
The latter half of the album is dedicated to Jacobs' explorations in rhythm and sound, with the "4 Études de rythme" and "2 Études de musique concrète." These pieces push the boundaries of traditional piano music, incorporating elements of modernism and experimental techniques. The final track, "Étude," serves as a fitting conclusion to this journey through Jacobs' musical landscape.
With a total runtime of 44 minutes, this album is a compact yet comprehensive exploration of Paul Jacobs' artistic vision. Whether you're a seasoned classical music enthusiast or a curious newcomer, this album offers a rich and rewarding listening experience.
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