Steph Copeland's "Public Panic" is a captivating journey through the landscape of electronic music, released on July 8, 2015, under the independent label Datahead Music. Spanning a concise yet impactful 50 minutes, this album is a testament to Copeland's ability to blend intricate melodies with pulsating rhythms, creating a soundscape that is both intimate and expansive.
The album opens with "Nadia," a track that immediately draws you in with its hauntingly beautiful synth lines and steady beat. As the album progresses, Copeland explores a variety of moods and tempos, from the driving energy of "Brick" and "Machines" to the more reflective and melancholic tones of "Hit Me Where It Hurts" and "Hannah." Each track is a masterclass in electronic composition, showcasing Copeland's knack for crafting memorable hooks and immersive soundscapes.
One of the standout tracks is "The Man in the Back," a song that builds from a sparse, atmospheric intro to a climax of soaring synths and driving percussion. Similarly, "Highways" is a standout track that combines intricate synth work with a driving beat, creating a sense of movement and momentum that is both exhilarating and cathartic.
Throughout "Public Panic," Copeland's production is impeccable, with each element of the mix carefully balanced to create a cohesive and immersive listening experience. The album's title track, "Public Panic," is a fitting conclusion to the album, bringing together many of the themes and sounds that have come before it in a powerful and satisfying way.
Whether you're a longtime fan of electronic music or a newcomer to the genre, "Public Panic" is an album that is sure to impress. With its intricate melodies, pulsating rhythms, and immersive soundscapes, it is a testament to Steph Copeland's talent as a producer and composer, and a must-listen for anyone looking to explore the best that electronic music has to offer.
Vinylscout