Santiago De Murcia's 'Recital' is a captivating album that delves into the realm of medieval music, offering a rich and immersive experience. Released on 25 March 2015 via Daphne Records, this 1 hour and 7-minute masterpiece showcases De Murcia's exceptional skill and artistry.
The album features a diverse range of tracks, from the elegant 'Libra Sonatine: III. Fuoco' to the charming 'Folk Song Variations' and the evocative 'Romance del Pescador'. The 'Grand Overture, Op. 61' and 'Grand Sonata in A Major: II. Romance: Più tosto - Largo - Amorosamente' demonstrate De Murcia's mastery of classical composition, while the 'Suite en ré majeur' series presents a beautiful exploration of Baroque nuances.
De Murcia's interpretations of traditional pieces, such as 'Variations on a Theme of Cabezón' and 'Villancico de Navidad', are equally impressive, highlighting his ability to breathe new life into timeless works. The album also features more contemporary compositions, including 'Paisaje Cubano Con Campanas', 'Lost Summers', and 'Dreaming Dance', which add a touch of modernity to the overall medieval theme.
Throughout 'Recital', Santiago De Murcia's passion for music shines through, making this album a must-listen for fans of medieval and classical genres. With its unique blend of traditional and modern elements, 'Recital' is a true testament to De Murcia's artistry and a wonderful addition to any music collection.
Santiago de Murcia (1673-1739) stands as one of the most influential figures in the realm of Baroque guitar music. Born and raised in Madrid, this Spanish guitarist and composer left an indelible mark on the musical landscape of his time. De Murcia's work is celebrated for its fusion of popular and art music, a testament to his versatility and innovation. His compositions span a wide range of styles, from Spanish and West African folk songs to intricate transcriptions of works by renowned composers like Arcangelo Corelli. De Murcia's contributions include several significant collections of music for the five-course guitar, notably the "Resumen de acompañar," printed in 1714, which is one of the earliest and most comprehensive treatises on guitar accompaniment. His music, often featuring elements of both European and New World influences, continues to captivate audiences and musicians alike, making him a pivotal figure in the Baroque guitar repertoire.
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