Variations and Fugue on a Theme of Mozart, Op. 132: Theme. Andante grazioso (Version for Orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1, L'istesso tempoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 2, Poco agitatoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 3, Con motoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 4, VivaceMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 5, Quasi prestoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 6, Sostenuto, quasi adagiettoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7, Andante graziosoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 8, Molto sostenutoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Mozart, Op. 132: Fugue. Allegretto grazioso (Version for Orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
Symphonic Prologue to a Tragedy, Op. 108Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
Piano Concerto in F Minor, Op. 114: I. Allegro moderatoMax Reger, Love Derwinger, Norrköping Symphony Orchestra, Leif Segerstam
Piano Concerto in F Minor, Op. 114: II. Largo con gran espressioneMax Reger, Love Derwinger, Norrköping Symphony Orchestra, Leif Segerstam
Piano Concerto in F Minor, Op. 114: III. Allegretto con spiritoMax Reger, Love Derwinger, Norrköping Symphony Orchestra, Leif Segerstam
Suite im alten Stil, Op. 93: I. Präludium (Version for Orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
Suite im alten Stil, Op. 93: II. Largo (Version for Orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
Suite im alten Stil, Op. 93: III. Fuge (Version for Orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Beethoven, Op. 86: Theme. Andante (Version for Orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 1, Un poco più lentoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 2, AppassionatoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 3, Andantino graziosoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 4, VivaceMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 5, Andante sostenutoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 6, Allegretto con graziaMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 7, Poco vivaceMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 8, Allegro pomposoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Variations and Fugue on a Theme of Beethoven, Op. 86: Fugue. Con spirito, non troppo allegro (Version for orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
Eine Ballettsuite, Op. 130: I. EntréeMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Eine Ballettsuite, Op. 130: II. ColombineMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Eine Ballettsuite, Op. 130: III. HarlequinMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Eine Ballettsuite, Op. 130: IV. Pierrot und PieretteMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Eine Ballettsuite, Op. 130: V. Valse d'amourMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
Eine Ballettsuite, Op. 130: VI. FinaleMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
4 Tondichtungen nach Arnold Böcklin, Op. 128: No. 1, Der geigende Eremit (The Fiddling Hermit)Max Reger, Kjell Lysell, Norrköping Symphony Orchestra, Leif Segerstam
4 Tondichtungen nach Arnold Böcklin, Op. 128: No. 2, Im Spiel der Wellen (Waves at Play)Max Reger, Kjell Lysell, Norrköping Symphony Orchestra, Leif Segerstam
4 Tondichtungen nach Arnold Böcklin, Op. 128: No. 3, Die Toteninsel (The Isle of the Dead)Max Reger, Kjell Lysell, Norrköping Symphony Orchestra, Leif Segerstam
4 Tondichtungen nach Arnold Böcklin, Op. 128: No. 4, BacchanalMax Reger, Kjell Lysell, Norrköping Symphony Orchestra, Leif Segerstam
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Album Description
2014 BIS2014 BIS
Dive into the rich and intricate world of Max Reger with this comprehensive collection of his orchestral works. Released on March 4, 2014, by BIS, this album spans an impressive three hours and twenty-three minutes, offering a deep exploration of Reger's compositional genius.
The album features a variety of Reger's works, showcasing his mastery of form and his ability to blend classical influences with his unique voice. Highlights include the Variations and Fugue on a Theme of Mozart, Op. 132, a piece that demonstrates Reger's skill in reinterpreting classical themes with his own distinctive touch. The Piano Concerto in F Minor, Op. 114, is another standout, with its three movements offering a range of emotions and musical textures.
Also included are the Symphonic Prologue to a Tragedy, Op. 108, and the Suite im alten Stil, Op. 93, both of which highlight Reger's ability to create compelling narratives and atmospheres through music. The album also features the Variations and Fugue on a Theme of Beethoven, Op. 86, which, like the Mozart variations, showcases Reger's ability to reinterpret the works of other composers in his own unique style.
For those interested in ballet, the album includes Eine Ballettsuite, Op. 130, a suite of six movements that were originally composed for a ballet. This suite offers a glimpse into Reger's ability to create music that is both dramatic and danceable.
Finally, the album concludes with 4 Tondichtungen nach Arnold Böcklin, Op. 128, a set of four tone poems inspired by the paintings of Arnold Böcklin. These pieces offer a fascinating exploration of the relationship between visual art and music, and they provide a fitting conclusion to this impressive collection of Reger's orchestral works.
Whether you are a longtime fan of Max Reger or a newcomer to his music, this album offers a rich and rewarding listening experience. With its diverse range of pieces and its high-quality performances, it is sure to be a valuable addition to any classical music collection.
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