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- ricercar - the hilliard ensemble
Ricercar
- 2003
- 14 tracks
- 1 uur, 9 min
- medieval
Album Description
The Hilliard Ensemble, renowned for their exquisite vocal precision and interpretive depth, presents "Ricercar," a captivating exploration of sacred and chamber music. Released in 2003 under the ECM New Series label, this album is a testament to the ensemble's versatility and mastery, spanning genres from medieval and choral to requiem and Gregorian chant.
"Ricercar" features a unique blend of compositions, including works by Johann Sebastian Bach and Anton Webern. The album opens with Bach's "Musikalisches Opfer, BWV 1079," orchestrated by Webern, showcasing the ensemble's ability to navigate complex polyphony with ease. The Easter Cantata "Christ lag in Todesbanden, BWV 4" is performed with a sensitivity that highlights the Hilliard Ensemble's signature clarity and warmth.
The ensemble also delves into the world of chamber music with the String Quartet (1905) by an unnamed composer, orchestrated by Christoph Poppen, and the "5 Movements for String Quartet, Op. 5," demonstrating their adaptability and musical prowess. The album's duration of just under an hour and ten minutes ensures a rich and immersive experience from start to finish.
"Ricercar" is not just an album; it is a journey through time and musical styles, guided by the impeccable artistry of the Hilliard Ensemble. Whether you are a seasoned classical music enthusiast or a casual listener, this album offers a rewarding and enriching experience.
Tracks
- Musikalisches Opfer, BWV 1079: Fuga (Ricercata) a 6 voci (Orch. Anton Webern)Johann Sebastian Bach, Munich Chamber Orchestra, Christoph Poppen
- String Quartet (1905) [Orch. Poppen]Anton Webern, Munich Chamber Orchestra, Christoph Poppen
- Christ lag in Todesbanden, BWV 4: I. Sinfonia – II. Christ lag in Todes BandenJohann Sebastian Bach, The Hilliard Ensemble, Munich Chamber Orchestra, Christoph Poppen
- Christ lag in Todesbanden, BWV 4: III. Den Tod niemand zwingen kunntJohann Sebastian Bach, The Hilliard Ensemble, Munich Chamber Orchestra, Christoph Poppen
- Christ lag in Todesbanden, BWV 4: IV. Jesus Christus, Gottes SohnJohann Sebastian Bach, The Hilliard Ensemble, Munich Chamber Orchestra, Christoph Poppen
- Christ lag in Todesbanden, BWV 4: V. Es war ein wunderlicher KriegJohann Sebastian Bach, The Hilliard Ensemble, Munich Chamber Orchestra, Christoph Poppen
- Christ lag in Todesbanden, BWV 4: VI. Hier ist das rechte OsterlammJohann Sebastian Bach, The Hilliard Ensemble, Munich Chamber Orchestra, Christoph Poppen
- Christ lag in Todesbanden, BWV 4: VII. So feiern wir das hohe Fest – VIII. Wir essen und wir leben wohlJohann Sebastian Bach, The Hilliard Ensemble, Munich Chamber Orchestra, Christoph Poppen
- 5 Movements for String Quartet, Op. 5: I. Heftig bewegtAnton Webern, Munich Chamber Orchestra, Christoph Poppen
- 5 Movements for String Quartet, Op. 5: II. Sehr langsamAnton Webern, Munich Chamber Orchestra, Christoph Poppen
- 5 Movements for String Quartet, Op. 5: III. Sehr bewegtAnton Webern, Munich Chamber Orchestra, Christoph Poppen
- 5 Movements for String Quartet, Op. 5: IV. Sehr langsamAnton Webern, Munich Chamber Orchestra, Christoph Poppen
- 5 Movements for String Quartet, Op. 5: V. In zarter BewegungAnton Webern, Munich Chamber Orchestra, Christoph Poppen
- Musikalisches Opfer, BWV 1079: Fuga (Ricercata) a 6 voci (Orch. Anton Webern) - RepriseJohann Sebastian Bach, Munich Chamber Orchestra, Christoph Poppen
About The Hilliard Ensemble
The Hilliard Ensemble, a renowned British male vocal quartet, captivated audiences for four decades with their exquisite interpretations of early and contemporary music. Founded in 1974 and named after the Elizabethan painter Nicholas Hilliard, the ensemble was celebrated for their unparalleled performances of medieval and Renaissance works, as well as their innovative collaborations with modern composers. Their repertoire spanned from Gregorian chants to cutting-edge compositions, including notable recordings with Arvo Pärt and Jan Garbarek. The Hilliard Ensemble's distinctive sound and formidable reputation made them one of the world's finest vocal chamber groups, leaving an indelible mark on the music scene before their disbandment in 2014.
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