Sublime's "Robbin' The Hood," released on March 1, 1994, under the Gasoline Alley label, is a vibrant and eclectic blend of reggae rock, ska punk, and ska that showcases the band's raw talent and experimental spirit. This album, often considered the 'middle' piece of Sublime's discography, is a fascinating journey through the band's unique sound, featuring a mix of high-energy tracks and introspective moments.
With 23 tracks spanning just over 55 minutes, "Robbin' The Hood" is a testament to Sublime's ability to pack a punch in a short amount of time. The album opens with "Waiting For Bud" and quickly dives into a variety of styles, from the dub-infused "Steady B Loop Dub" to the acoustic "Pool Shark" and the punk-driven "Steppin' Razor." The album also features the three-part "Raleigh Soliloquy," a series of tracks that highlight the band's storytelling prowess and musical versatility.
Recorded on 4-track home recordings, the album's raw and unpolished sound adds to its charm and authenticity. Tracks like "Work That We Do" and "Freeway Time In LA County Jail" offer a glimpse into the band's personal experiences, while "Mary" and "All You Need" showcase their ability to craft catchy, melodic tunes. The album also includes several dub tracks, such as "Lincoln Highway Dub" and "I Don't Care Too Much For Reggae Dub," which add a unique texture to the overall sound.
"Robbin' The Hood" is a captivating album that stands out in Sublime's discography for its raw energy and experimental nature. It's a must-listen for fans of reggae rock, ska punk, and ska, and a testament to Sublime's enduring influence on the music scene.
Vinylscout