Rosa de Sefarad, el Tesoro Soñado

"Rosa de Sefarad, el Tesoro Soñado" is a captivating journey into the rich tapestry of medieval, Sufi, and traditional music, masterfully curated and performed by Eduardo Paniagua. Released on October 21, 2013, under the Pneuma label, this album is a testament to Paniagua's deep understanding and reverence for the sephardic musical tradition. With a duration of 58 minutes, the album comprises 15 tracks, each a delicate blend of historical significance and musical brilliance.

Eduardo Paniagua, a renowned figure in the world of classical and traditional music, brings his extensive experience and multiple nominations for Best Classical Music Artist to this collection. His meticulous selection and production of these songs reflect a profound exploration of the sephardic diaspora's musical heritage, dating back to the late 19th century.

The album opens with "La Rosa Enflorese / Los Bilbilicos Cantan," setting the tone for a collection that seamlessly weaves together instrumental and vocal pieces. Highlights include the hauntingly beautiful "Vayse Meu Corazon de Mib (Versión)" and the lively "Dame Parás Para el Baño," showcasing the diversity and depth of the sephardic musical repertoire.

"Rosa de Sefarad, el Tesoro Soñado" is not just an album; it is a historical and cultural treasure, meticulously crafted by one of the most respected names in traditional music. Whether you are a seasoned enthusiast of medieval and Sufi music or a curious explorer of new musical landscapes, this album promises an enriching and enchanting experience.

Eduardo Paniagua, born in Madrid in 1952, is a versatile artist who seamlessly blends his passions for architecture and music. As a musician, he is renowned for his expertise in medieval Spanish music, with a discography that spans decades and includes notable works like "Cantigas de Loor" and "The Dove's Necklace." Paniagua's musical journey began in 1966 when he joined the group Atrium Musicae de Madrid, led by his older brother Gregorio, where he honed his skills on wind instruments and percussion. Beyond his medieval music roots, Paniagua also explores Sufi and traditional music genres, directing ensembles such as Música Antigua and Ibn Báya, which specialize in Arab-Andalusian music. His performances and recordings offer a rich tapestry of historical and cultural sounds, making him a captivating figure in the world of early and traditional music.