Immerse yourself in the profound and mystical world of Heinrich Ignaz Franz von Biber's "Rosenkranzsonaten 2," a captivating journey through the Passion of Christ as interpreted by one of the Baroque era's most innovative composers. This album, released in 2015 on the Querstand label, presents a meticulously crafted selection of sonatas that delve into the spiritual and musical depths of Biber's genius.
The album opens with the haunting "Glockenläuten der Kirche von Kaltlengensfeld," setting the stage for the ten sonatas that follow. Each sonata is a masterclass in Baroque composition, showcasing Biber's unique style and his groundbreaking use of scordatura tuning. The sonatas are named after the mysteries of the Rosary, and each one explores a different aspect of Christ's suffering, from the agony in the garden to the crucifixion.
Highlights include the intricate "Sonata No. 6," with its lamenting first movement, and the dramatic "Sonata No. 8," which features a complex gigue with two doubles. The album concludes with the powerful "Ciacona for Organ in D Minor," a tour de force of Baroque organ music.
Performed with exquisite skill and sensitivity, this recording brings Biber's vision to life, offering both seasoned classical enthusiasts and curious newcomers a chance to explore the rich tapestry of his music. With a duration of just under 45 minutes, it's a concise yet profound exploration of one of the Baroque era's most enigmatic and compelling works.
QuerstandKlaus-Jürgen Kamprad
Tracks
Glockenläuten der Kirche von KaltlengensfeldAnonymous, Anne Schumann, Sebastian Knebel
Sonata No. 6 for Violin and Continuous Bass "Jesu, der für uns Blut geschwitzt hat": I. LamentoHeinrich Ignaz Franz von Biber, Anne Schumann, Sebastian Knebel
Sonata No. 6 for Violin and Continuous Bass "Jesu, der für uns Blut geschwitzt hat": II. Ohne SatzbezeichnungHeinrich Ignaz Franz von Biber, Anne Schumann, Sebastian Knebel
Sonata No. 6 for Violin and Continuous Bass "Jesu, der für uns Blut geschwitzt hat": AdagioHeinrich Ignaz Franz von Biber, Anne Schumann, Sebastian Knebel
Sonata No. 7 for Violin and Continuous Bass "Jesu, der für uns gegeißelt wurde": I. Allamanda - VariationHeinrich Ignaz Franz von Biber, Anne Schumann, Sebastian Knebel
Sonata No. 7 for Violin and Continuous Bass "Jesu, der für uns gegeißelt wurde": II. Sarabanda - VariationHeinrich Ignaz Franz von Biber, Anne Schumann, Sebastian Knebel
Sonata No. 8 for Violin and Continuous Bass "Jesus, der für uns mit Dornen gekrönt worden ist": I. SonataHeinrich Ignaz Franz von Biber, Anne Schumann, Sebastian Knebel
Sonata No. 8 for Violin and Continuous Bass "Jesus, der für uns mit Dornen gekrönt worden ist": II. Gigue - Double I - Double IIHeinrich Ignaz Franz von Biber, Anne Schumann, Sebastian Knebel
Sonata No. 9 for Violin and Continuous Bass "Jesus, der für uns das schwere Kreuz getragen hat": I. SonataHeinrich Ignaz Franz von Biber, Anne Schumann, Sebastian Knebel
Sonata No. 9 for Violin and Continuous Bass "Jesus, der für uns das schwere Kreuz getragen hat": II. Courante - DoubleHeinrich Ignaz Franz von Biber, Anne Schumann, Sebastian Knebel
Sonata No. 9 for Violin and Continuous Bass "Jesus, der für uns das schwere Kreuz getragen hat": III. FinaleHeinrich Ignaz Franz von Biber, Anne Schumann, Sebastian Knebel
Sonata No. 10 for Violin and Continuous Bass "Jesus, der für uns gekreuzigt worden ist": I. PräludiumHeinrich Ignaz Franz von Biber, Anne Schumann, Sebastian Knebel
Sonata No. 10 for Violin and Continuous Bass "Jesus, der für uns gekreuzigt worden ist": II. Aria - VariationHeinrich Ignaz Franz von Biber, Anne Schumann, Sebastian Knebel
Ciacona for Organ in D Minor, T. 204Johann Pachelbel, Sebastian Knebel