Immerse yourself in the dramatic world of Gioachino Rossini's "Maometto II," a masterful opera that showcases the composer's unparalleled command of longer musical forms. This stunning 1985 release from Decca Music Group Ltd. features a captivating performance that spans three hours and four minutes, divided across two discs. The opera is presented in its entirety, allowing you to experience the full breadth of Rossini's genius.
"Maometto II" is a monumental work, with its first act alone comprising five expansive movements, highlighted by a grand Terzettone—a trio that stands out as a centerpiece of the opera. The album features the extraordinary vocal talents of June Anderson and Samuel Ramey, accompanied by the renowned Orchestra and Chorus of the Teatro La Fenice under the direction of Claudio Scimone. Their performances bring Rossini's intricate score to life, offering a rich and immersive listening experience.
The opera's plot, set against the backdrop of the clash between Eastern and Western cultures, is brought to life through a series of powerful arias, duets, and choruses. From the stirring opening chorus to the dramatic finales, each track is a testament to Rossini's ability to craft compelling narratives through music. The album's detailed tracklisting provides a roadmap through the opera's two acts, allowing you to follow the story from the initial introductions to the climactic scenes.
Whether you are a seasoned opera enthusiast or a newcomer to the genre, "Maometto II" offers a profound exploration of Rossini's artistry. The album's high-quality production and the exceptional performances by its cast and orchestra make it a standout addition to any classical music collection. Dive into the world of "Maometto II" and experience the timeless beauty of Rossini's music.
Maometto II / Act 1: No. 3 Scena e Terzettone. Scena: "No tacer non deggio" (Anna, Erisso)Gioachino Rossini, June Anderson, Ernesto Palacio, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: (3a) Terzetto: "Ohimè, qual fulmine" (Anna, Erisso, Calbo)Gioachino Rossini, June Anderson, Ernesto Palacio, Margarita Zimmermann, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: "Dal cor l'iniquo affetto" (Erisso, Anna)Gioachino Rossini, June Anderson, Ernesto Palacio, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: Scena: "Misere!... or dove, ahimè!" (Coro, Anna)Gioachino Rossini, June Anderson, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: (3b) Preghiera: "Giusto Cielo, in tal periglio" (Anna, Coro) - Scena: "Ahi, padre!" (Anna, Erisso)Gioachino Rossini, June Anderson, Ernesto Palacio, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: (3c) Terzetto: "Figlia, mi lascia" (Erisso, Anna, Coro)Gioachino Rossini, June Anderson, Ernesto Palacio, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: "Mira, signor, quel pianto" (Calbo, Anna, Erisso, Coro)Gioachino Rossini, June Anderson, Margarita Zimmermann, Ernesto Palacio, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: No. 4 Coro e Cavatina. (4a) Coro: "Dal ferro, dal foco" (Soldati musulmani)Gioachino Rossini, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: (4b) Cavatina: "Sorgete, sorgete" (Maometto)Gioachino Rossini, Samuel Ramey, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: "Del mondo al vincitor" (Soldati musulmani, Maometto)Gioachino Rossini, Samuel Ramey, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: No. 5 Scena, Coro, Terzetto e Finale I. Scena: "Compiuta ancor del tutto" - (5a) Coro: "Signor, di" (Guerrieri) - Scena: "Appressatevi" (Maometto, Erisso)Gioachino Rossini, Ernesto Palacio, Samuel Ramey, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: (5b) Terzetto: "Giusto Ciel, che strazio è questo!" (Erisso, Calbo, Maometto)Gioachino Rossini, Ernesto Palacio, Samuel Ramey, Margarita Zimmermann, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: (5c) Finale I: "Guardie, olà, costor si traggano" (Maometto, Anna, Erisso, Calbo, Selimo, Coro)Gioachino Rossini, Ernesto Palacio, Samuel Ramey, June Anderson, Margarita Zimmermann, Laurence Dale, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: "Rendimi il padre, o barbaro" (Anna, Maometto, Calbo, Erisso)Gioachino Rossini, Ernesto Palacio, Samuel Ramey, June Anderson, Margarita Zimmermann, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 1: "Ah! perchè fra le spade nemiche" (Anna, Calbo, Erisso, Maometto, Selimo, Coro)Gioachino Rossini, Ernesto Palacio, Samuel Ramey, June Anderson, Margarita Zimmermann, Laurence Dale, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: No. 6 Coro: "E follia sul fior degli anni" (Donzelle musulmane)Gioachino Rossini, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: No. 7 Scena e Duetto. Scena: "Tacete. - Ahimè!" (Maometto, Anna)Gioachino Rossini, June Anderson, Samuel Ramey, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: Duetto: "Anna tu piangi?" (Maometto, Anna)Gioachino Rossini, June Anderson, Samuel Ramey, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: "Gli estremi sensi ascolta" (Anna, Maometto)Gioachino Rossini, June Anderson, Samuel Ramey, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: No. 8 Scena, Aria e Coro. Scena: "Ma qual tumulto ascolto?" (Maometto, Anna)Gioachino Rossini, June Anderson, Samuel Ramey, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: Coro: "Ah che più tardi ancor?" (Duci musulmani) - (8a) Aria: All'invito generoso" (Maometto) - (8b) Coro: "Dell'araba tromb" (Soldati musulmani)Gioachino Rossini, Samuel Ramey, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: No. 9 Scena ed Aria. Scena: "Sieguimi, o Calbo" (Erisso, Calbo)Gioachino Rossini, Ernesto Palacio, Margarita Zimmermann, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: Aria: "Non Temer: d'un basso affetto" (Calbo)Gioachino Rossini, Margarita Zimmermann, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: Stretta: "Del periglio al fiero aspetto" (Calbo)Gioachino Rossini, Margarita Zimmermann, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: No. 10 Scena e Terzetto. Scena: "Oh, come al cor soavi" (Erisso, Calbo, Anna)Gioachino Rossini, June Anderson, Margarita Zimmermann, Ernesto Palacio, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: Terzetto: "In questi estremi istanti" (Calbo, Anna, Erisso)Gioachino Rossini, June Anderson, Margarita Zimmermann, Ernesto Palacio, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: No. 11 Scena con Coro e Finale II. Scena: "Alfin compita è la metà" (Anna)Gioachino Rossini, June Anderson, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: (11a) Coro: "Nume, cui 'l sole è trono" (Le Donne, Anna)Gioachino Rossini, June Anderson, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: (11b) Finale II: "Sventurata! fuggir sol ti resta" (Coro, Anna, Maometto)Gioachino Rossini, June Anderson, Samuel Ramey, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: "Quella morte che s'avanza" (Anna, Coro)Gioachino Rossini, June Anderson, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: "Sì, ferite: il chieggo, il merto" (Anna, Coro)Gioachino Rossini, June Anderson, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Maometto II / Act 2: Scena ultima: "Già fra le tombe?" Maometto, Anna, Coro)Gioachino Rossini, June Anderson, Samuel Ramey, Ambrosian Opera Chorus, Philharmonia Orchestra, Claudio Scimone
Gioachino Rossini, born on the rare date of February 29, 1792, in Pesaro, Italy, is renowned for his prolific and influential contributions to the world of opera. By the age of 18, Rossini had already premiered his first opera, and over the next two decades, he composed 39 operas that would set new standards for both comic and serious genres. His most celebrated works include the witty and energetic "The Barber of Seville," the enchanting "Cinderella" (La Cenerentola), and the grand "William Tell." Rossini's music is characterized by its melodic inventiveness, technical brilliance, and a keen sense of drama. Despite retiring from large-scale composition in his thirties, Rossini's legacy endures, making him one of the most beloved and influential figures in classical music. His larger-than-life personality and culinary passions are as legendary as his compositions, adding to the enduring fascination with this remarkable composer.