Dive into the whimsical world of Albert Roussel with his delightful operetta, "Le testament de la tante Caroline." This enchanting album, released on March 11, 2022, by Naxos, offers a rare gem from the composer's repertoire, showcasing his mastery of neoclassical compositions and his unique voice within the chamber music genre. Originally composed between 1932 and 1933, this operetta is a zany, madcap farce that stands out among Roussel's more serious works. Inspired by the success of Arthur Honegger and Jacques Ibert's operettas, Roussel crafted a comedic masterpiece filled with grotesque characters and vibrant, joyful music.
"Le testament de la tante Caroline" is an operetta in one act, revised from its original three-act version. The story revolves around a family gathering to hear the will of the mischievous Aunt Caroline, leading to a series of hilarious misunderstandings and revelations. The album features 20 tracks, capturing the essence of this lively and imaginative operetta. With a performance duration of 1 hour and 8 minutes, this recording is a delightful journey into the world of French musical comedy.
The album boasts an impressive cast, including Marie Lenormand, Marion Gomar, and Lucile Komitès, who bring the characters to life with their exceptional vocal talents. The Orchestre des Frivolités Parisiennes, conducted by Dylan Corlay, provides a vibrant and energetic accompaniment, ensuring that the music sparkles with the same wit and charm as the libretto.
This recording is a testament to Roussel's skill in blending humor and music, making it an essential addition to any classical music enthusiast's collection. Whether you're a fan of chamber music, operetta, or simply enjoy a good laugh, "Le testament de la tante Caroline" is sure to captivate and entertain.
Albert Roussel, born in 1869 in Tourcoing, France, was a composer whose musical journey was as unique as his eclectic influences. Initially drawn to mathematics and the sea, Roussel spent seven formative years as a midshipman, sailing to Southeast Asia and absorbing the exotic cultures that would later inspire his compositions. It was only in his late twenties that he turned his full attention to music, studying under the renowned Vincent d'Indy at the Schola Cantorum de Paris. Roussel's early works bear the impressionistic touch of Debussy and Ravel, but he soon forged his own path, embracing neoclassicism and developing a personal style marked by lyrical passion, technical austerity, and harmonic innovation.
Throughout his career, Roussel composed a diverse range of works, including ballets, symphonies, chamber music, and songs, often drawing on exotic and mythological themes. His compositions, such as the evocative "Évocation" and the dramatic "Bacchus et Ariane," showcase his ability to blend vivid orchestration with structural rigor. Roussel's influence extended beyond his compositions; he also taught notable students like Erik Satie and Edgard Varèse. Despite starting his musical career later in life, Roussel's unique voice and innovative spirit made him one of the most original and influential French composers of the interwar period.
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