Rubbra: Missa cantuariensis, Dormi Jesu, That Virgin's Child Most Meek & Missa in honorem Sancti Dominici

Album Description

Immerse yourself in the sacred and serene world of Edmund Rubbra's choral masterpieces with this captivating album. Composed by the renowned 20th-century British composer Edmund Rubbra, this collection showcases his profound ability to blend traditional liturgical themes with modern musical sensibilities. The album features two complete masses, the "Missa Cantuariensis" (Canterbury Mass) and the "Missa in honorem Sancti Dominici" (St. Dominic Mass), each offering a unique interpretation of sacred texts.

The "Missa Cantuariensis," composed in 1946, is a poignant and introspective work that reflects Rubbra's deep spiritual connection to the ancient traditions of the Church of England. The mass is performed with delicate precision by the St. Margaret's Westminster Singers, under the skilled direction of Richard Hickox, accompanied by the organist Ian Watson. The "St. Dominic Mass," completed in 1948, is a more exuberant and celebratory piece, honoring the life and legacy of St. Dominic.

In addition to the masses, the album includes two enchanting carols: "Dormi Jesu," a lullaby for unaccompanied choir, and "That Virgin's Child Most Meek," a tender and reflective piece that highlights the purity and innocence of the Nativity. These carols, along with the masses, demonstrate Rubbra's versatility and mastery of choral composition.

Recorded in 2007 by the esteemed label Chandos, this album is a testament to Rubbra's enduring legacy and the timeless beauty of his music. With a total duration of 47 minutes, the album offers a rich and rewarding listening experience, perfect for those seeking solace, inspiration, or simply a deeper appreciation of choral music.

1 sep 2007

2007 Chandos Records

About Edmund Rubbra

Charles Edmund Rubbra, born in Northampton in 1901, was a distinguished British composer whose works spanned a wide range of genres, though he is perhaps best known for his eleven symphonies. Rubbra's music, which reached its zenith of popularity in the mid-20th century, is characterised by its dramatic intensity and improvisatory spirit. Unlike many of his contemporaries, Rubbra never embraced the dodecaphonic style, instead forging his own unique compositional path. His extensive catalogue includes notable works such as the Viola Concerto in A Major, Op. 75, and his Piano Concerto No. 2 in G minor, Op. 85. Despite a decline in public recognition in recent decades, Rubbra's compositions continue to captivate those who seek out his music, offering a rich and emotive experience that stands the test of time.