Immerse yourself in the majestic sounds of 'Sacrati: La Finta Pazza', a sublime opera masterpiece conducted by the renowned Leonardo García Alarcón and performed by the exceptional Cappella Mediterranea. This captivating album, released on 27 May 2022 by Château de Versailles Spectacles, is a beautiful and colourful revival of Francesco Sacrati's foundational work, which left an indelible mark on the young Louis XIV and inspired him to become a dancer.
Recorded at the stunning Opéra Royal du Château du Versailles in June 2021, this production brings to life the first opera to be represented in Paris, with a rich history dating back to its creation in Venice in 1641. The album features a stunning 175-page booklet, complementing the exquisite music with insightful commentary and context.
Under the expert guidance of Leonardo García Alarcón, Cappella Mediterranea delivers a breathtaking performance, weaving a sonic tapestry that transports listeners to a bygone era of elegance and refinement. With its intricate harmonies, poignant arias, and dramatic intensity, 'Sacrati: La Finta Pazza' is a true masterpiece that showcases the genius of Francesco Sacrati, a composer once considered a "ghost" but now rediscovered and celebrated.
This magnificent album is a testament to the enduring power of opera to enchant and inspire, and Leonardo García Alarcón's visionary interpretation is sure to delight audiences and leave a lasting impression. With its impeccable production values and outstanding musicality, 'Sacrati: La Finta Pazza' is an essential addition to any music lover's collection, and a must-listen for fans of classical music and opera.
2022 Château de Versailles Spectacles2021 Château de Versailles Spectacles
La Finta pazza, Prologo: Loquace Diva (La Fama, L'Aurora)Francesco Sacrati, Julie Roset, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act I Scene 1: Il porto è qui di Sciro (Ulisse, Diomede, Capitano)Francesco Sacrati, Carlo Vistoli, Valerio Contaldo, Salvo Vitale, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act I Scene 2: Or che son giunti al destinato affare (Giunone, Minerva, Tetide)Francesco Sacrati, Julie Roset, Norma Nahoun, Fiona McGown, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act I Scene 3: Ombra di timore (Achille, Deidamia)Francesco Sacrati, Paul-Antoine Bénos-Djian, Mariana Flores, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act I Scene 4: Mi vedete già tutto (Licomede, Ulisse, Diomede)Francesco Sacrati, Alejandro Meerapfel, Carlo Vistoli, Valerio Contaldo, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act I Scene 5: O formano gli Dei (Diomede, Licomede, Deidamia,Eunuco, Achille, Tre Donzelle)Francesco Sacrati, Alejandro Meerapfel, Valerio Contaldo, Mariana Flores, Kacper Szelążek, Paul-Antoine Bénos-Djian, Aurélie Marjot, Anna Piroli, Sarah Hauss, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act II Scene 1: L’amante modesto (Diomede, Ulisse)Francesco Sacrati, Valerio Contaldo, Carlo Vistoli, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act II Scene 2: Dolce cambio di natura (Achille, Ulisse, Diomede)Francesco Sacrati, Paul-Antoine Bénos-Djian, Valerio Contaldo, Carlo Vistoli, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act II Scene 3: Ferma, o fatal guerriero! (Vulcano, Achille)Francesco Sacrati, Paul-Antoine Bénos-Djian, Alexandre Miminishvili, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act II Scene 4: È giustissimo il duolo (Nodrice, Deidamia)Francesco Sacrati, Marcel Beekman, Mariana Flores, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act II Scene 5: Cedi, cedi, e omai confessa (Achille, Diomede, Ulisse)Francesco Sacrati, Paul-Antoine Bénos-Djian, Valerio Contaldo, Carlo Vistoli, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act II Scene 6: Ardisci, animo, ardisci! (Deidamia)Francesco Sacrati, Mariana Flores, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act II Scene 7: Ove comandi, o Padre (Vittoria, Giove)Francesco Sacrati, Fiona McGown, Alexander Miminoshvili, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act II Scene 8: Spalancatevi abissi (Capitano)Francesco Sacrati, Salvo Vitale, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act II Scene 9: Oh Dio, che sento? (Diomede, Eunuco)Francesco Sacrati, Valerio Contaldo, Kacper Szelążek, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act II Scene 10: Guerrieri, all’armi (Deidamia, Eunuco, Diomede, Capitano)Francesco Sacrati, Mariana Flores, Valerio Contaldo, Kacper Szelążek, Salvo Vitale, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act III Scene 1: Quand’ebbi d’oro il crin (Nodrice, Eunuco)Francesco Sacrati, Marcel Beekman, Kacper Szelążek, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act III Scene 2: Non paventate (Licomede, Deidamia, Nodrice)Francesco Sacrati, Alejandro Meerapfel, Mariana Flores, Marcel Beekman, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act III Scene 3: Per ritardar l’imbarco (Ulisse, Eunuco)Francesco Sacrati, Carlo Vistoli, Kacper Szelążek, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act III Scene 4: Come riveda Achille (Deidamia, Achille, Capitano, Diomede)Francesco Sacrati, Mariana Flores, Paul-Antoine Bénos-Djian, Salvo Vitale, Valerio Contaldo, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act III Scene 5: Se ad un altro si sposa (Diomede)Francesco Sacrati, Valerio Contaldo, Cappella Mediterranea, Leonardo García-Alarcón
La Finta pazza, Act III Final Scene: La soverchia allegrezza (Licomede, Ulisse, Deidamia, Nodrice, Capitano)Francesco Sacrati, Alejandro Meerapfel, Carlo Vistoli, Mariana Flores, Marcel Beekman, Salvo Vitale, Cappella Mediterranea, Leonardo García-Alarcón
Francesco Sacrati, an influential Italian composer of the Baroque era, is renowned for his significant contributions to the early development of opera. Born in 1605, Sacrati's works, particularly his operas, were celebrated throughout Italy and beyond. His most notable piece, "La finta pazza," holds the distinction of being the first opera performed in France. This opera, premiered in Venice in 1641, showcases Sacrati's mastery of the genre and his ability to blend comedic and dramatic elements seamlessly. The manuscript of "La finta pazza," once thought lost, was rediscovered in 1984, revealing musical similarities to Monteverdi's "L'incoronazione di Poppea," which has sparked intriguing scholarly debates. Sacrati's legacy continues to captivate audiences, with performances of his works, including the U.S. premiere of "La finta pazza" at Yale University in 2010, highlighting his enduring impact on the world of opera.
Vinylscout
Francesco Sacrati
