Antonio Salieri's 'Salieri: Falstaff' is a captivating opera album that showcases the composer's mastery of classical music. Released on 1 January 2003 by Dynamic, this 2-hour and 34-minute masterpiece is a must-listen for fans of the genre. The album features a wide range of scenes from Salieri's opera, 'Falstaff', with intricate storylines and complex characters that come alive through the beautiful music.
From the opening overture to the final scene, Antonio Salieri's composition is a true delight, with each track seamlessly blending into the next to create a cohesive and engaging listening experience. The opera's themes of love, deception, and betrayal are expertly woven throughout the music, making for a compelling and dramatic performance.
With its rich, classical sound and exceptional production quality, 'Salieri: Falstaff' is an album that will appeal to both longtime fans of opera and those new to the genre. Antonio Salieri's work is a testament to his skill as a composer, and this album is a wonderful representation of his artistry. Whether you're familiar with the story of 'Falstaff' or not, this album is sure to transport you to a world of beauty and drama, with its stunning music and exceptional performances.
2003 Dynamic2003 Dynamic
Tracks
Falstaff: OvertureAntonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 1: Viva il comune amico (Mrs. Ford, Slender, Mrs. Slender, Falstaff)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 1: Sia pur l'ultimo bicchiere (Falstaff, Mrs. Slender, Mrs. Ford, Chorus)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 1: Ma gia l'alba s'avvicina (Mrs. Ford, Chorus, Mrs. Slender, Slender, Falstaff)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 2: Vedete che capriccio! (Bardolf)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 3: Ah, pezzo di birbante! (Falstaff, Bardolf)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 3: Con molta degnazione (Falstaff, Bardolf)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 3: Da scrivere! (Falstaff, Bardolf)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 4: Vicino a rivedere (Ford)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 4: Di dubitar di lei non ho motivo (Ford) - Scene 5: Oh tinozza ambulante! [Mrs. Slender]Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 5: Vendetta, si vendetta! (Mrs. Slender)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 5: Comare, in questo punto (Mrs. Slender, Mrs. Ford)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 5: La stessa, la stessissima (Mrs. Slender, Mrs. Ford)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 5: Ma parlando sul serio (Mrs. Slender, Mrs. Ford) - Scene 6: Ho capito [Slender, Bardolf, Ford] - Scene 7: Non vedo [Mrs. Ford, Mrs. Slender]Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 7: Oh quanto vogliam ridere (Mrs. Ford, Mrs. Slender, Ford)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 8: Eh! Mia moglie, compare (Ford, Slender)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 8: Venga pure il cavaliere (Slender)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 9: A un uom della mia sorte (Falstaff, Bardolf) - Scene 10: No, non mi [Mrs. Ford, Falstaff]Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 10: O! Die Manner kenn'ich schon! (Mrs. Ford)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 11: E che ti par, Falstaff? (Falstaff, Bardolf, Ford)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 11: Nell'impero di Cupido (Falstaff)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 12: Ah, vile! Ah, seduttore! … (Ford)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Didon, Act I: Overture: I. Allegro maestosoNiccolò Piccinni, Sibongile Mngoma, Daniel Galvez-Vallejo, Davide Damiani, Teresa Di Bari, Angelica Girardi, Antonio Signorile, Coro del Teatro Petruzzelli di Bari, Bari Teatro Petruzzelli Orchestra, Arnold Bosman
Didon, Act I: Overture: II. Andante sostenutoNiccolò Piccinni, Sibongile Mngoma, Daniel Galvez-Vallejo, Davide Damiani, Teresa Di Bari, Angelica Girardi, Antonio Signorile, Coro del Teatro Petruzzelli di Bari, Bari Teatro Petruzzelli Orchestra, Arnold Bosman
Falstaff, Act I Scene 14: Finale. Bricconcella! Alfin t'ho colta (Falstaff, Mrs. Ford)Niccolò Piccinni, Sibongile Mngoma, Daniel Galvez-Vallejo, Davide Damiani, Teresa Di Bari, Angelica Girardi, Antonio Signorile, Coro del Teatro Petruzzelli di Bari, Bari Teatro Petruzzelli Orchestra, Arnold Bosman
Falstaff, Act I Scene 14: Signora, C'e Mrs. Slender (Betty, Mrs. Ford, Falstaff, Mrs. Slender)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act I Scene 14: Last Scene. Se son geloso a torto (Ford, Mrs. Ford, Mrs. Slender, Slender, Betty, Chorus)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 1: Sentite pure: I servi (Betty)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 1: Nell'acqua il buzzone (Betty, Mrs. Slender, Mrs. Ford)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 2: Ehi! Bardolf! (Falstaff, Bardolf) - Scene 3: Corpo di Satanasso! [Falstaff] - Scene 4: E' preparato? [Falstaff, Bardolf, Betty]Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 4: Ah! Signore! Se sapesse (Betty, Falstaff, Bardolf)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 4: Se mi vedeste il core … (Falstaff, Betty, Bardolf)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 5: E il nostro Signor Brock (Falstaff) - Scene 6: Se un pranzo [Ford, Falstaff]Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 7: Stelle! - Sogno, o son desto? (Ford)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 8: Presto, Betty (Mrs. Ford, Falstaff)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 8: Ma siam sicuri! (Falstaff, Mrs. Ford) - Scene 9: Ehi, comare, ehi! [Mrs. Slender, Falstaff]Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 9: Per carita, celatevi! (Mrs. Ford, Falstaff, Mrs. Slender) - Scene 10: Ah! Ah! [Mrs. Ford, Mrs. Slender] - Scene 11: Ecco, amici! [Ford, Slender]Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 11: Che vedo? (Mrs. Ford, Ford, Slender, Chorus)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 11: Or ben: Colui, ch'io cerco (Ford, Slender, Mrs. Ford)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 11: Benedetto quel bastone (Mrs. Ford, Mrs. Slender)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 12: Sorte pettegola! (Falstaff, Ford)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 12: Che dici? La Tedesca (Falstaff) - Scene 13: Or ben: Ma tu non sai [Ford]Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 13: Ah, ch'a idea così gradita (Ford, Falstaff) - Scene 14: Dietro quella collina [Slender]Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 14: Reca in amor la gelosia (Slender, Eco)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 15: Siete gia qui? (Slender, Others, Mrs. Ford, Ford, Mrs. Slender) - Scene 16: Presto presto [Falstaff, Mrs. Ford, Mrs. Slender]Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 16: Fate verdi, turchine (Mrs. Ford, Chorus, Falstaff) - Last Scene. Per or non si parte [Slender, Mrs. Slender, Ford, Mrs. Ford, Betty, Chorus]Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Falstaff, Act II Scene 16: Or tre volte corbellato (Others, Falstaff, Mrs. Slender, Slender, Ford, Mrs. Ford)Antonio Salieri, Pierre-Yves Pruvot, Salomé Haller, Simon Edwards, Nigel Smith, Hjordis Thebault, Raimonds Spogis, Liliana Faraon, Chantres de la Chapelle, Les, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire
Antonio Salieri, born in Legnago, Italy, in 1750, was a prominent Italian composer and teacher of the Classical period, renowned for his significant contributions to opera and classical music. Salieri's musical journey began at a young age, nurtured by his family's musical background, and flourished under the guidance of Florian Leopold Gassmann, the imperial court composer. At just 16, Salieri was taken to Vienna, where he quickly made a name for himself as a stage composer, presenting operas in both Vienna and Italy.
Throughout his career, Salieri's operas were acclaimed across Europe, and he became a pivotal figure in the development of late 18th-century opera. His influence extended beyond his compositions; as the Austrian imperial kapellmeister from 1788 to 1824, he was one of the most important and famous musicians of his time, teaching and inspiring other notable composers. Despite his achievements, Salieri is often overshadowed by his association with Wolfgang Amadeus Mozart, a rivalry popularized by the film "Amadeus." However, Salieri's own masterful works, including operas, symphonies, and chamber music, deserve recognition for their innovation and enduring appeal. His legacy as a composer and teacher continues to be rediscovered and celebrated, revealing the true extent of his impact on classical music.