Immerse yourself in the sacred and profound with Giovanni Battista Sammartini's "Sacred Cantatas," a captivating collection of Baroque vocal works that showcase the composer's mastery of the cantata form. Released in 2006, this album presents two stunning cantatas: "Della Passione di Gesù Cristo" (On Jesus Christ's Passion) and "L'addolorata Divina Madre" (The Sorrowing Divine Mother), both composed in 1759. These works are performed by a trio of exceptional soloists: Silvia Mapelli (soprano), Miroslava Yordanova (mezzo-soprano), and Giorgio Tiboni (tenor), accompanied by the talented Daniele Ferrari.
The cantatas are structured in a series of recitatives and arias, each exploring different aspects of faith, devotion, and the human condition. "Della Passione di Gesù Cristo" delves into the passion of Christ, with powerful arias and recitatives that evoke wonder, reflection, and spiritual contemplation. "L'addolorata Divina Madre," on the other hand, focuses on the sorrow of the Divine Mother, offering a poignant and introspective journey through grief and love.
Sammartini's compositions are characterized by their expressive melodies, rich harmonies, and intricate counterpoint, all of which are beautifully rendered in this recording. The album's duration of 72 minutes provides a comprehensive exploration of Sammartini's sacred vocal repertoire, making it an essential addition to any classical music collection. The performances are vivid and engaging, bringing the composer's vision to life with clarity and passion. This album is a testament to Sammartini's enduring legacy and his significant contributions to the Baroque cantata tradition.
2006 Naxos2006 Naxos
Tracks
Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Introduction: SinfoniaGiovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Recitative I: Oh portenti, oh stupor! (Oh wonders, oh amazement!) (Soprano)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Aria: S'alma illustre si nasconde (If a divine soul conceals himself) (Soprano)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Recitative II: Tutto questo m'e noto (All of this I know well) (Alto)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Aria: So che nel cor volgea (I know that in its heart) (Alto)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Recitative III: Di cosi ingrati cori (If you want further proof) (Tenor)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Aria: D'iniqua mente (He who has an evil mind) (Tenor)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Recitative IV: Chi mai pensar potea (Who could imagine) (Soprano)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Finale: Chorus: Chi si colma il sen d'amore / He whose heart is full of love (Trio)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Introduction: SinfoniaGiovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Recitative I: Quanta pieta per le sventure altrui (However much compassion for others' misfortunes) (Tenor)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Aria: Non basto l'immenso affanno (More than the immense pain) (Tenor)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Recitative II: Oh qual da lunghi stenti amaro frutto (Oh, after the long years of toil) (Soprano)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Aria: Ben lo predisse (How true was the prediction) (Soprano)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Recitative III: E pur di qual Alma forte (And yet, whose spirit would have been so strong) (Alto)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Aria: Non cosi d'Alpe in cima (Not even an ancient oak on an Alpine peak) (Alto)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Recitative IV: Tronchiam gl'indugi (Let us now delay no more) (Trio)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Finale: Madre purissima, Fonte d'Amore (Purest of Mothers, Fount of Love) (Trio)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
Giovanni Battista Sammartini, born in Milan around 1700, was a pivotal figure in the evolution of classical music, serving as a composer, violinist, organist, choirmaster, and teacher. His innovative approach to the symphony laid the groundwork for the Classical style that would later be perfected by giants like Joseph Haydn and Wolfgang Amadeus Mozart. Sammartini's compositions, which span symphonies, concertos, sonatas, and masses, are marked by a galant style that reflects the ideals of the Enlightenment, blending elegance with a newfound seriousness and thematic development.
Throughout his career, Sammartini mentored notable figures such as Christoph Willibald Gluck and was highly respected by younger composers like Johann Christian Bach. His influence extended beyond his immediate circle, with echoes of his stylistic innovations detectable in the works of Haydn, despite the latter's denials. Sammartini's legacy is one of bridging the gap between the Baroque and Classical eras, making him an essential figure in the history of Western music.
Vinylscout
Giovanni Battista Sammartini
