Martin Häßler presents a captivating choral album, Samuel Barber: The Lovers, Op. 43, released on 26 May 2017 by Rondeau Production. This 57-minute masterpiece is a testament to the beauty of choral music, featuring a collection of poignant pieces that will resonate deeply with listeners.
The album is divided into two distinct sections, beginning with Frostiana, a series of seven pieces that set the tone for a contemplative and emotive journey. Each track, from 'The Road Not Taken' to 'Choosing Something Like a Star', showcases the richness and expressiveness of Martin Häßler's interpretation.
The second part of the album is dedicated to The Lovers, Op. 43, a ten-movement work that explores the depths of love and relationships. With pieces such as 'Prelude', 'Body of a Woman', and 'Tonight I Can Write', Martin Häßler's performance brings to life the intricate nuances of Samuel Barber's composition, creating a sense of intimacy and connection with the audience.
Through his meticulous attention to detail and passion for choral music, Martin Häßler has crafted an album that is both a tribute to Samuel Barber's legacy and a showcase of his own exceptional artistry. Samuel Barber: The Lovers, Op. 43 is a must-listen for fans of choral music, offering a profound and moving experience that will linger long after the final notes have faded.
Martin Häßler is a distinguished German bass-baritone whose powerful and expressive voice has captivated audiences in opera houses around the world. Born in Weischlitz, Saxony, Häßler honed his craft at prestigious institutions such as the Hochschule für Musik und Theater Leipzig and the Guildhall School of Music and Drama, where he studied under renowned vocal coaches Rudolf Piernay and Janice Chapman. His career took a significant leap forward when he joined the ensemble of the Vienna State Opera in the 2020/21 season, where he has since delivered memorable performances in a diverse range of roles.
Häßler's repertoire is as impressive as it is extensive, encompassing roles such as Dr. Falke in "Die Fledermaus," Schaunard in "La Bohème," Ned Keene in "Peter Grimes," and Masetto in "Don Giovanni." His ability to bring depth and nuance to each character has earned him critical acclaim, with notable reviews highlighting his affecting textures and vocal prowess. Whether performing in opera, recital, or concert, Häßler's performances are marked by a rich, resonant voice and a commanding stage presence. His contributions to the world of classical music continue to inspire and enchant, making him a standout artist in the realm of vocal performance.
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