Samuel Coleridge-taylor - 24 Negro Spirituals - Samuel Coleridge-Taylor

Immerse yourself in the rich tapestry of African and African-American musical traditions with Samuel Coleridge-Taylor's "24 Negro Spirituals." Released on January 24, 2006, this captivating album features the renowned composer's unique arrangements of classic Negro spirituals, offering a profound exploration of cultural heritage and musical brilliance. With a running time of 1 hour and 16 minutes, this collection showcases Coleridge-Taylor's mastery of blending classical music with the soulful, deeply rooted melodies of the African diaspora.

Born in London in 1875 to an English mother and a Creole father from Sierra Leone, Samuel Coleridge-Taylor's music reflects his diverse heritage. His work, including this album, is a testament to his ability to infuse classical music with the spirit of African and African-American folk traditions. The album includes beloved spirituals such as "Deep River," "Wade In The Water," and "Sometimes I Feel Like A Motherless Child," each beautifully arranged to highlight their timeless appeal.

Frances Walker's performance on this album is nothing short of extraordinary, bringing a depth of feeling and technical prowess to each piece. Whether you're a fan of classical music, African-American spirituals, or simply appreciate exquisite musical craftsmanship, this album is a treasure trove of cultural and musical richness. Dive into the enchanting world of Samuel Coleridge-Taylor's "24 Negro Spirituals" and experience the enduring power of these timeless songs.

Samuel Coleridge-Taylor, born in London in 1875, was a pioneering British composer and conductor whose music transcended racial and cultural boundaries. Of mixed-race heritage, with an English mother and a Creole father from Sierra Leone, Coleridge-Taylor's work was deeply influenced by both European classical traditions and African melodies. He gained international acclaim for his three cantatas based on Henry Wadsworth Longfellow's epic poem 'The Song of Hiawatha', with the first section premiering when he was just 23. Often hailed as the "African Mahler," his compositions, including the Violin Concerto in G minor, reflect his unique blend of musical styles and cultural influences. Despite facing personal struggles, including poverty and tragedy, Coleridge-Taylor's legacy endures as a testament to his musical genius and his impact on the classical music landscape.