Satan

"Satan," released in 1974 on Cadet Records, is a captivating jazz album by the legendary saxophonist Sonny Stitt. This album showcases Stitt's versatility and mastery, blending elements of bebop, hard bop, cool jazz, and even hints of acid jazz, making it a standout in his discography. The album features a mix of original compositions by Roland Hanna and classic covers, each track infused with Stitt's signature energetic and soulful style.

The album opens with the title track "Satan," a dynamic and intense piece that sets the tone for the rest of the record. "A Crazy Mixed Up World" follows, offering a more laid-back, cool jazz vibe, while "Big Bad Henry" brings back the energy with its hard bop influences. The album also includes a rendition of the classic "Will You Love Me Tomorrow," showcasing Stitt's ability to reinterpret popular songs with a jazz twist.

"Satan" is not just a collection of songs but a testament to Sonny Stitt's enduring influence on the jazz scene. Whether you're a longtime fan of jazz or a newcomer to the genre, this album offers a rich and engaging listening experience. The album's diverse tracklist and high-energy performances make it a timeless addition to any jazz collection.

Sonny Stitt, born Edward Stitt in Boston and raised in Michigan, was a pioneering American jazz saxophonist renowned for his warm, distinctive tone and his mastery of the bebop and hard bop idioms. Nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, Stitt was known for his relentless touring and his preference for working with different musicians, rather than forming a permanent band. Initially, Stitt's style was compared to that of Charlie Parker, but he soon developed his own unique sound, particularly on the tenor saxophone. His extensive discography, featuring over 100 albums, showcases his versatility and innovation. Stitt's career spanned several decades, from establishing himself on the American jazz scene in the 1960s to making a significant impact on the UK jazz funk scene in the mid-1970s. He was also known for his sax duels with contemporaries like Dexter Gordon and Gene Ammons, further cementing his status as one of the finest bebop saxophonists of his era.