Scheidt: Tablatura Nova, Première partie

Album Description

Immerse yourself in the rich tapestry of Baroque keyboard music with Samuel Scheidt's "Tablatura Nova, Première partie," a masterful collection of organ works that showcase the composer's virtuosity and innovation. Released in 1980, this album is a testament to Scheidt's enduring legacy in the world of German keyboard music, featuring intricate compositions that highlight his unique style and technical prowess.

The album spans 55 minutes, offering a comprehensive exploration of Scheidt's "Tablatura Nova, Pt. 1," which includes a variety of sacred and secular pieces. Highlights include the contemplative "Fantasia super. Jo son fertio lasso, quadruplici," the devotional "Cantio sacra. Warum betrübst du dich, mein Herz," and the poignant "Psalmus. Da Jesus an dem Kreuze stund." Each track is performed with precision and artistry by Bernard Lagacé, whose mastery of the organ brings Scheidt's compositions to life.

Samuel Scheidt, born in 1587, was a pivotal figure in the development of German organ music. His "Tablatura Nova" is celebrated for its technical complexity and expressive depth, making this album a valuable addition to any classical music enthusiast's collection. The album is meticulously produced, with contributions from Mireille Landmann and photography by Christophe Meyer, ensuring a high-quality listening experience.

"Tablatura Nova, Première partie" is not just a collection of beautiful music; it's a journey through the Baroque era, showcasing the genius of Samuel Scheidt and the skill of Bernard Lagacé. Whether you're a seasoned classical music aficionado or a newcomer to the genre, this album offers a rich and rewarding experience.

1 januari 1980

Calliope

Arpege

About Samuel Scheidt

Samuel Scheidt, a pioneering figure of the early Baroque era, was a German composer, organist, and teacher whose influence resonates through the centuries. Born in Halle in 1587, Scheidt's musical journey began with local instruction before he traveled to Amsterdam to study under the renowned Jan Pieterszoon Sweelinck. This formative period shaped his unique style, blending European influences into a distinctive German Baroque sound. Returning to Halle, Scheidt served as organist at the Moritzkirche and later as chapelmaster, leaving an indelible mark on the city's musical landscape. His compositions, ranging from organ suites and chorale preludes to vocal works, showcase his mastery of counterpoint and concerto style, making him a seminal figure in the development of German organ music. Scheidt's legacy endures, inspiring generations of composers and musicians, and his works continue to captivate audiences with their timeless beauty and innovation.