Scheidt: Tabulatura Nova I

Album Description

Immerse yourself in the rich tapestry of Baroque organ music with Samuel Scheidt's "Scheidt: Tabulatura Nova I," a captivating collection of works that showcase the composer's mastery and innovation. Released on January 1, 2003, this album is a testament to Scheidt's enduring legacy, featuring pieces from his seminal work "Tabulatura Nova," originally published in 1624. With a duration of over two hours, this album offers an extensive journey through Scheidt's compositions, including cantiones sacrae, fantasias, and various national songs.

Scheidt, a prominent figure in the early Baroque period, was known for his contributions to organ music and his advocacy for the use of scores to represent complex musical structures. This album, released by Musikproduktion Dabringhaus und Grimm, brings together a selection of Scheidt's most notable works, providing a comprehensive overview of his style and technique. From the contemplative "Vater unser im Himmelreich" to the lively "Frantzösisch Liedgen. Cantio Gallica 'Est ce Mars'," each piece is a testament to Scheidt's versatility and skill.

The album features a diverse range of compositions, including sacred songs, fantasias, and national songs from various regions. Highlights include the intricate "Fantasia Super 'Io Son Ferito Lasso'" and the poignant "Warum betrübstu dich mein Hertz." The album's duration of 2 hours and 13 minutes ensures that listeners can fully appreciate the depth and breadth of Scheidt's musical genius.

Whether you are a seasoned enthusiast of Baroque music or a newcomer to the genre, "Scheidt: Tabulatura Nova I" offers a rich and rewarding listening experience. The album's careful curation and high-quality production make it a valuable addition to any music collection. Dive into the world of Samuel Scheidt and discover the timeless beauty of his organ compositions.

1 januari 2003

2003 Musikproduktion Dabringhaus und Grimm

About Samuel Scheidt

Samuel Scheidt, a pioneering figure of the early Baroque era, was a German composer, organist, and teacher whose influence resonates through the centuries. Born in Halle in 1587, Scheidt's musical journey began with local instruction before he traveled to Amsterdam to study under the renowned Jan Pieterszoon Sweelinck. This formative period shaped his unique style, blending European influences into a distinctive German Baroque sound. Returning to Halle, Scheidt served as organist at the Moritzkirche and later as chapelmaster, leaving an indelible mark on the city's musical landscape. His compositions, ranging from organ suites and chorale preludes to vocal works, showcase his mastery of counterpoint and concerto style, making him a seminal figure in the development of German organ music. Scheidt's legacy endures, inspiring generations of composers and musicians, and his works continue to captivate audiences with their timeless beauty and innovation.