Immerse yourself in the rich tapestry of Baroque organ music with Samuel Scheidt's "Tabulatura Nova III," the culmination of Franz Raml's complete recording of Scheidt's masterful Tabulatura nova series. Released on June 1, 2015, this album is a testament to Scheidt's enduring legacy and Raml's virtuosic skill.
Spanning nearly two and a half hours, this collection features a diverse array of sacred works, including nine settings of the Magnificat, various hymns, and organ pieces that showcase Scheidt's compositional prowess. The album opens with the solemn "Kyrie Dominicale" and traverses through joyous hymns like "Hymnus De Nativitate Christi" and contemplative pieces such as "Hymnus Veni Creator Spiritus." The album concludes with two impressive organ works, "Modus ludendi pleno Organo pedaliter," demonstrating Scheidt's mastery of the organ.
Samuel Scheidt, a prominent German composer of the early Baroque period, is renowned for his innovative approach to organ music. His "Tabulatura Nova" series, published in 1624, is a cornerstone of the organ repertoire, blending technical virtuosity with deep spiritual expression. Franz Raml, a distinguished organist, brings these works to life with his nuanced interpretations and impeccable technique.
Recorded with meticulous attention to detail, "Tabulatura Nova III" offers an unparalleled listening experience, allowing listeners to appreciate the intricate beauty of Scheidt's compositions. Whether you're a seasoned enthusiast of Baroque music or a newcomer to the genre, this album is sure to captivate and inspire. The high-quality production by Musikproduktion Dabringhaus und Grimm ensures that every note is rendered with clarity and precision, providing an authentic and immersive experience.
Samuel Scheidt, a pioneering figure of the early Baroque era, was a German composer, organist, and teacher whose influence resonates through the centuries. Born in Halle in 1587, Scheidt's musical journey began with local instruction before he traveled to Amsterdam to study under the renowned Jan Pieterszoon Sweelinck. This formative period shaped his unique style, blending European influences into a distinctive German Baroque sound. Returning to Halle, Scheidt served as organist at the Moritzkirche and later as chapelmaster, leaving an indelible mark on the city's musical landscape. His compositions, ranging from organ suites and chorale preludes to vocal works, showcase his mastery of counterpoint and concerto style, making him a seminal figure in the development of German organ music. Scheidt's legacy endures, inspiring generations of composers and musicians, and his works continue to captivate audiences with their timeless beauty and innovation.
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