Schneider: Magic of Irreality

Album Description

Dive into the surreal and captivating world of Enjott Schneider with "Magic of Irreality," a compelling exploration of sound that blurs the lines between reality and fantasy. Released in 2018, this album features two double concertos that showcase Schneider's unique compositional voice and his affinity for surrealism in art. The first half of the album is dedicated to "Isolde & Tristan," a work that spans over 34 minutes and is performed by an impressive ensemble including Jiemin Yan on erhu, Wenn-Sinn Yang on cello, and the Siberian State Symphony Orchestra under the direction of Vladimir Lande. This piece is a testament to Schneider's ability to weave together disparate elements into a harmonious whole, creating a sound journey that is both forceful and original.

The second half of the album presents "Dreamdancers," a concerto for piccolo trumpet, flugelhorn, and orchestra, featuring Otto Sauter and Sergei Nakariakov. This 25-minute piece continues the surreal theme, with Schneider's compositions evoking vivid imagery and pushing the boundaries of classical music. The album's total duration of 59 minutes offers a rich and immersive experience, making it a standout release in Schneider's discography. "Magic of Irreality" is a testament to Enjott Schneider's ingenuity and his ability to create sound images that are as thought-provoking as they are beautiful.

25 mei 2018

About Enjott Schneider

Enjott Schneider is a multifaceted German artist whose work spans composition, musicology, and education. Born in 1950, Schneider has made significant contributions to the music world, with a catalog that includes eight operas, oratorios, and a variety of instrumental and vocal works. His compositions often draw inspiration from surreal and imaginative themes, as seen in his double concertos and other orchestral pieces. Schneider's "Orbe Rotundo," conceived as a companion to Carl Orff's "Carmina Burana," showcases his ability to create enduring and evocative musical experiences. Beyond his composing, Schneider is also known for his leadership role as the chairman of the board of the German collecting society GEMA and his teaching tenure at Munich's University of Music and Performing Arts. His works, such as "Sacred Music Vol. 10" and "Chatroom," offer a rich tapestry of sounds that captivate and inspire.