Schneider: So lose im Raume - Musikalische Visionen zum Roman "Schlafes Bruder" - Enjott Schneider

Album Description

"So lose im Raume - Musikalische Visionen zum Roman 'Schlafes Bruder'" is a captivating orchestral work by German composer Enjott Schneider, released in 1998. This album is a unique blend of music and literature, inspired by Robert Schneider's novel "Schlafes Bruder." The composition is a series of musical visions that correspond with passages from the book, read aloud by the author himself, creating a rich, interdisciplinary experience.

The album features seven tracks, each a distinct movement that explores different themes and moods. The outer movements are particularly striking, with the final piece culminating in the complete "Schlafes Bruder" toccata, elevated by the chorale "Komm O Tod...". The performances are brought to life by a stellar ensemble, including the Orpheus Choir and Orchestra Munich, the Luzerner Singknaben, and notable soloists like Harald Feller on organ and Bruno Feldkircher on trumpet.

Enjott Schneider's composition is a masterful interplay of text and music, with inserted passages from "Schlafes Bruder" that complement each movement. The work is a testament to Schneider's ability to translate literary themes into musical expressions, resulting in a profound and engaging listening experience. The album's duration of 57 minutes allows for a comprehensive exploration of Schneider's visionary score, making it a standout piece in the realm of contemporary classical music.

1 januari 1998

(P) 1998 Wergo

About Enjott Schneider

Enjott Schneider is a multifaceted German artist whose work spans composition, musicology, and education. Born in 1950, Schneider has made significant contributions to the music world, with a catalog that includes eight operas, oratorios, and a variety of instrumental and vocal works. His compositions often draw inspiration from surreal and imaginative themes, as seen in his double concertos and other orchestral pieces. Schneider's "Orbe Rotundo," conceived as a companion to Carl Orff's "Carmina Burana," showcases his ability to create enduring and evocative musical experiences. Beyond his composing, Schneider is also known for his leadership role as the chairman of the board of the German collecting society GEMA and his teaching tenure at Munich's University of Music and Performing Arts. His works, such as "Sacred Music Vol. 10" and "Chatroom," offer a rich tapestry of sounds that captivate and inspire.