Immerse yourself in the rich, late-Romantic soundscapes of Othmar Schoeck with this captivating album, featuring a selection of his most compelling works. This collection showcases Schoeck's mastery of orchestration and his unique voice within the late-Romantic tradition, often drawing comparisons to Richard Strauss.
The album opens with "Sommernacht, Op. 58," a delicate and evocative piece composed for the Bern Symphony Orchestra, presented here in a version for solo strings and large string orchestra. The suite's subtle harmonies and lush textures offer a serene introduction to Schoeck's musical world.
Next, the "Sonate für Bassklarinette, Op. 41" takes center stage, a radical and modern work that pushes the boundaries of Schoeck's late-Romantic style. The bass clarinet's rich, mellow tones are beautifully complemented by the orchestra, creating a unique and captivating sound.
The dramatic "Penthesilea Suite, Op. 39" follows, drawing inspiration from Kleist's tragic play. This powerful suite showcases Schoeck's ability to convey intense drama and passion through music.
The album concludes with "Das holde Bescheiden, Op. 62: No. 40, Besuch in Urach," a charming and introspective piece that highlights Schoeck's lyrical gifts.
Featuring the Berner Symphonie-Orchester under the baton of Mario Venzago, along with outstanding soloists George-Cosmin Banica (violin), Bernhard Röthlisberger (bass clarinet), Isabelle Magnenat (violin), and Rachel Harnisch (soprano), this album is a testament to Schoeck's enduring musical legacy. Recorded in 2015 and released on the Musiques Suisses label, this collection is an essential addition to any classical music enthusiast's library, offering a comprehensive exploration of Othmar Schoeck's captivating and evocative musical language.
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