Immerse yourself in the rich, complex world of Arnold Schoenberg with this compelling collection of his most significant orchestral works. Released on January 6, 1994, under the Nar Classical label, this album spans a generous 2 hours and 37 minutes, offering a deep dive into the innovative compositions of one of the 20th century's most influential composers.
The album opens with "Pelleas und Melisande," a symphonic poem that showcases Schoenberg's early, late-Romantic style. This is followed by "Verklärte Nacht," a transcendent string orchestra piece that demonstrates his evolving musical language. The "Chamber Symphony No. 2" offers a fascinating blend of chamber music intimacy and symphonic grandeur, while the "Violin Concerto" highlights Schoenberg's unique approach to the concerto form. The album concludes with the intricate and varied "Variations for Orchestra," a testament to Schoenberg's compositional prowess.
Each track is a masterclass in orchestration and musical expression, providing listeners with a comprehensive exploration of Schoenberg's evolution and innovation. Whether you're a seasoned classical enthusiast or a newcomer to Schoenberg's work, this album is a captivating journey through the mind of a musical genius.
Pelleas und Melisande, Op. 5, IAS 22: I. AnfangArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: II. HeftigArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: III. LebhaftArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: IV. Sehr raschArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: V. Ein wenig bewegfArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: VI. LangsamArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: VII. Ein wenig bewegterArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: VIII. Sehr langsamArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: IX. Etwas bewegtArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: X. In gehender BewegungArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: XI. BreitArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Verklärte Nacht, Op. 4, IAS 47: I. GraveArnold Schoenberg, Wiener Symphoniker, Bruno Maderna
Verklärte Nacht, Op. 4, IAS 47: II. Molto rallentandoArnold Schoenberg, Wiener Symphoniker, Bruno Maderna
Verklärte Nacht, Op. 4, IAS 47: III. PesanteArnold Schoenberg, Wiener Symphoniker, Bruno Maderna
Verklärte Nacht, Op. 4, IAS 47: IV. AdagioArnold Schoenberg, Wiener Symphoniker, Bruno Maderna
Kammersymphonie NR. 2 in E-Flat Minor and G Major, Op. 38, IAS 10: I. AdagioArnold Schoenberg, Sinfonie Orchester des Saarrlandischen Rundfunks, Bruno Maderna
Kammersymphonie NR. 2 in E-Flat Minor and G Major, Op. 38, IAS 10: II. Con fuocoArnold Schoenberg, Sinfonie Orchester des Saarrlandischen Rundfunks, Bruno Maderna
Violin Concerto, Op. 36, IAS 48: I. Poco allegro - Poco animatoArnold Schoenberg, Sinfonie Orchester des Saarrlandischen Rundfunks, Bruno Maderna, Christiane Edinger
Violin Concerto, Op. 36, IAS 48: II. Andante grazioso - Poco più mossoArnold Schoenberg, Sinfonie Orchester des Saarrlandischen Rundfunks, Bruno Maderna, Christiane Edinger
Violin Concerto, Op. 36, IAS 48: III. Finale. AllegroArnold Schoenberg, Sinfonie Orchester des Saarrlandischen Rundfunks, Bruno Maderna, Christiane Edinger
Variations For Orchestra, Op. 31, IAS 45: I. Introdukion: Mäßig, ruhigArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: II. Thema: Molto moderatoArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: III. Variation I: ModeratoArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: IV. Variation II: LangsamArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: V. Variation III: MäßigArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: VI. Variation IV: WalzertempoArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: VII. Variation V: BewegtArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: VIII. Variation VI: AndanteArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: IX. Variation VII: LangsamArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: X. Variation VIII: Sehr raschArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: XI. Variation IX: L'istesso tempo, aber etwas langsamerArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: XII. Finale: Mäßig schnelArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Arnold Schoenberg, born in Vienna in 1874, was a revolutionary figure in 20th-century classical music, renowned for his groundbreaking compositions and theoretical innovations. As a composer, Schoenberg was among the first to challenge traditional harmony, pioneering atonality and developing the twelve-tone technique, which uses a specific order of all twelve pitches in the chromatic scale. This method, also known as serialism, had a profound impact on the course of modern music.
Schoenberg's music is characterized by its use of motives to create coherence and his exploration of dissonance. He was also a prolific writer and teacher, influencing generations of composers, including Alban Berg and Anton Webern. Beyond music, Schoenberg was a multifaceted artist who also painted and invented. His legacy extends far beyond his compositions, encompassing his influential teachings and writings that continue to shape the way we understand and create music today. Schoenberg's journey from his early works to his atonal innovations and twelve-tone technique is a testament to his enduring influence on classical music.
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