Immerse yourself in the captivating world of Robert Schumann's piano masterpieces with this exquisite collection, featuring some of his most beloved and intricate compositions. This album showcases Schumann's unparalleled ability to blend technical virtuosity with deep emotional expression, offering a rich and rewarding listening experience.
At the heart of this collection are the "Davidsbündlertänze, Op. 6," a suite of eighteen character pieces composed in 1837. Despite the low opus number, these dances were written after Schumann's "Carnaval, Op. 9," and "Symphonic Studies, Op. 13," reflecting his mature style and innovative approach to piano composition. The pieces are not true dances but rather musical dialogues between Schumann's alter egos, Florestan and Eusebius, representing the impetuous and lyrical sides of his personality. The suite is based on a mazurka by Clara Wieck, Schumann's future wife, adding a personal touch to this already intimate work.
Also included is the "Concert sans Orchestre, Op. 14," also known as the Piano Sonata No. 3, showcasing Schumann's ability to create orchestral textures on the piano. The sonata's three movements range from the brilliant and energetic to the deeply introspective, demonstrating Schumann's versatility and mastery of the piano.
The album also features "Kreisleriana, Op. 16," a work inspired by the fictional character Johannes Kreisler, created by German writer E.T.A. Hoffmann. This suite of eight pieces explores a wide range of moods and characters, from the restless and agitated to the serene and contemplative. Each piece is a miniature masterpiece, showcasing Schumann's unique voice and innovative approach to piano composition.
Additionally, you'll enjoy "Gesänge der Frühe, Op. 133," a set of five pieces that capture the essence of dawn, with each movement evoking the changing moods and colors of the early morning. The album also includes the "Allegro in B Minor, Op. 8," a powerful and dramatic piece that showcases Schumann's ability to create intense, dramatic music.
Recorded in 2000 and released in 2001, this album is a testament to Schumann's enduring legacy and his profound impact on the world of classical piano music. With a duration of 1 hour and 40 minutes, this collection offers a comprehensive exploration of Schumann's piano works, from his early character pieces to his later, more introspective compositions. Whether you're a longtime fan of Schumann's music or a newcomer to his work, this album is sure to captivate and inspire.
Davidsbündlertänze, Op. 6 - First Edition (1837): I. LebhaftRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): II. InnigRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): III. Etwas hahnbüchenRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): IV. UngeduldigRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): V. EinfachRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): VI. Sehr rasch und in sich hineinRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): VII. Nicht schnell mit aeusserst starker EmpfindungRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): VIII. FrischRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): IX. [Lebhaft]Robert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): X. Balladenmässig, sehr raschRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XI. EinfachRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XII. Mit HumorRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XIII. Wild und lustigRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XIV. Zart und singendRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XV. FrischRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XVI. Mit gutem HumorRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XVII. Wie aus der FerneRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XVIII. Nicht schnellRobert Schumann, Maurizio Pollini
Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36): I. Allegro brillanteRobert Schumann, Maurizio Pollini
Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36): II. Quasi Variazioni. Andantino de Clara WieckRobert Schumann, Maurizio Pollini
Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36): III. Prestissimo possibileRobert Schumann, Maurizio Pollini
Allegro in B Minor, Op. 8Robert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: I. Äusserst bewegtRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo IRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: III. Sehr aufgeregtRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: IV. Sehr langsamRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: V. Sehr lebhaftRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: VI. Sehr langsamRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: VII. Sehr raschRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: VIII. Schnell und spielendRobert Schumann, Maurizio Pollini
Gesänge der Frühe, Op. 133: I. Im ruhigen TempoRobert Schumann, Maurizio Pollini
Gesänge der Frühe, Op. 133: II. Belebt, nicht zu raschRobert Schumann, Maurizio Pollini
Gesänge der Frühe, Op. 133: III. LebhaftRobert Schumann, Maurizio Pollini
Gesänge der Frühe, Op. 133: IV. BewegtRobert Schumann, Maurizio Pollini
Gesänge der Frühe, Op. 133: V. Im Anfang ruhiges, im Verlauf bewegtes TempoRobert Schumann, Maurizio Pollini