"Schweben - Ay, but Can Ye?" is a captivating exploration of free jazz and avant-garde music, helmed by the renowned Barry Guy in collaboration with the Glasgow Improvisers Orchestra. Released on January 1, 2012, under the Maya Recordings label, this album is a testament to Guy's innovative compositional prowess and the orchestra's virtuosity.
The album's centerpiece is the 47-minute composition "Schweben - Ay, but Can Ye?", which seamlessly blends written and improvised sections, recorded live at the 'Stringfest' double bass festival at the Royal Scottish Academy of Music and Drama in 2009. The title draws from a Kandinsky painting, translating to "to float," and the music indeed seems to levitate, defying conventional structures and expectations.
The album begins with Edwin Morgan's reading of his Scots poem "Ay, but Can Ye?", providing a lyrical and linguistic foundation for the musical journey that follows. The final track features Morgan discussing the influential Russian poet Vladimir Mayakovsky, adding a literary dimension to the album's avant-garde spirit.
Barry Guy's direction and the orchestra's performance create a dynamic and thought-provoking sonic landscape, making "Schweben - Ay, but Can Ye?" a standout release in the realms of free jazz and avant-garde music. The album's unique blend of poetry, improvisation, and composition offers a rich and engaging experience for any discerning music enthusiast.
Barry Guy is a pioneering figure in the world of contemporary music, renowned for his virtuosity on the double bass and his innovative compositions. Born in 1947, Guy's musical journey spans a diverse range of genres, including free jazz, avant-garde, and classical music. His work is characterized by a unique blend of improvisation and structured composition, making him a standout in both the jazz and classical spheres.
Guy's compositions have been performed by orchestras across the UK and Europe, showcasing his skillful and inventive writing. His discography includes notable works such as "Eye of Silence," "String Quartet no. 3," and "After the Rain," each reflecting his adventurous and demanding musical style. Beyond his solo and ensemble work, Guy has collaborated with artists like baroque violinist Maya Homburger, further expanding his musical horizons.
A graduate of the Guildhall School of Music, Guy has also made significant contributions as an educator, sharing his expertise with future generations of musicians. His music is not just heard but experienced, inviting audiences into a world of sonic exploration and emotional depth. Whether performing solo or leading his twelve-piece New Orchestra, Barry Guy continues to push the boundaries of what is possible in contemporary music.
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