Screamin' The Blues

Oliver Nelson's "Screamin' The Blues," recorded in 1960, is a hidden gem in the saxophonist, composer, and arranger's discography. This sextet album showcases Nelson's exceptional writing and playing, with five of the six tracks penned by him. The album features a mix of hard bop, jazz, and cool jazz elements, with a big band feel that sets it apart from his more acclaimed work, "The Blues and the Abstract Truth" (1961).

The album opens with the title track, "Screamin' The Blues," followed by five other captivating compositions: "March On, March On," "The Drive," "The Meetin'," "Three Seconds," and "Alto-Itis." Each track is a testament to Nelson's versatility and skill, with standout solos that highlight his mastery of the saxophone. Notably, the album includes striking examples of his playing, such as the solos on "Perdido" and "Mainstem," which are featured on other albums but showcase his consistent high caliber of performance.

"Screamin' The Blues" was recorded several months before Nelson's breakthrough album, "The Blues and the Abstract Truth," and offers a unique glimpse into his early work. The sextet's dynamic interplay and Nelson's inventive arrangements make this album a compelling listen for jazz enthusiasts. The Rudy Van Gelder remaster (2006) ensures that the music is presented in the best possible quality, allowing listeners to fully appreciate the richness and depth of Nelson's compositions.

With a duration of just under 40 minutes, "Screamin' The Blues" is a concise yet powerful addition to Oliver Nelson's discography. It's an essential album for those looking to explore the breadth of his work and the evolution of his sound.